Immanuel Kant (1724–1804)
Kant’s biography is unusually devoid of external events.
As Heinrich Heine wrote: The history of Kant’s life is difficult to describe. For he neither had a life nor a history.
In actual fact, as Manfred Kuehn argues in his 2001 biography, Kant’s life was not quite as abstract and passionless as Heine and others have supposed…. If he failed to live a more adventurous life, it was largely due to his health: the philosopher had a congenital skeletal defect that caused him to develop an abnormally small chest, which compressed his heart and lungs and contributed to a generally delicate constitution. In order to prolong his life with the condition—and in an effort to quell the mental anguish caused by his lifelong hypochondria—Kant adopted what he called “a certain uniformity in the way of living and in the matters about which I employ my mind.”
This routine was as follows: Kant rose at 5:00 A.M., after being woken by his longtime servant, a retired soldier under explicit orders not to let the master oversleep. Then he drank one or two cups of weak tea and smoked his pipe. According to Kuehn, “Kant had formulated the maxim for himself that he would smoke only one pipe, but it is reported that the bowls of his pipes increased considerably in size as the years went on.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #ImmanuelKant @masoncurrey
The amaranthus are commonly used as symbols of eternity/immortality due to its ability to retain its color for a long time after dying/cut off". I thought that this phenomenon represents "hope" more than the more common meaning of "devotion/undying love". Having hope keeps us alive during difficult periods where we are cut off from the things that typically motivates us, whether it be financial resources, loved ones, etc., and I tried to convey this by juxtaposing the vibrant colours of the flowers (symbolizing hope and life) with the grayscale tone of the statue (symbolizing death and brokenness).
(Gel Fineliner on A5 Paper) "HumanAI" meaning taking the role of a basic AI and drawing a picture from a prompt, but not getting the result intended. From the image, you might be able to guess what was requested ;P
Created using pencils, fine liners, water color, and acrylic paints. A Ghoulish cheerleader ripped from her life too soon, murdered by jealousy, with the those she thought were her friends torn in anguish over her death, she now takes this form to rid others of their dreams and ambitions.
(Gel Fineliner on A5 paper) One of the age-old responses from dog-owners: “He won't bite you” along with “He's good with children.”
He's a dog, and like all dogs, they're bred from wolves. Given half the chance they'd revert back to their natural pack instinct. The only reason they don't is that they see you as the pack leader who regularly feeds and pampers them.
“Oh, my little darling isn't like that!” I hear you say, as if you're talking about a child. “He gives me kisses by licking my face. It's his way of saying how much he loves me.”
He licks his balls and arsehole with that tongue, so what's he really saying there?
My new painting captures the chaotic yet heartwarming scene of a determined father I spotted cycling through the morning rush. He's juggling a lot—quite literally—with a baby strapped to his chest and a little girl perched in the bike's front basket.
In this scenario, Gattie Gator is being (possibly) coned or scammed into buying something from a smiling salesman. While her aquaphobic brother (hence the innertube) is about to be a snack for some furocious creatures. Will Gattie be save her bro in time? Or is he doomed to be a disasterous dinner special?
I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy!
Here is the list
( I am in such a good company!):
- “10 Dogs” by Emily Gravett
- “ABC and You and Me” by Corinna Luyken
- “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy,
- “The Concrete Garden” by Bob Graham
- “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt
- “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins.
- “If I Was a Horse” by Sophie Blackall
- “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese
- “Mr. S” by Monica Arnaldo
- “Night in the City” by Julie Downing
- “Ruffles and the Cozy, Cozy Bed” by David Melling
- “Simon and the Better Bone” by Corey R. Tabor
- “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal
Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.
Water heals and purifies. It also kills and destroys.
Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11).
Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface.
Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification.
The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.
Watercolour and the tiniest bit of coloured pencil and acrylic marker on watercolour paper. Size A4. Done with negative painting technique. This was inspired by a figure found in a Kinder egg from my daughter. It seems to be common sense these days to scan and fix your artwork digitally before posting it on any social media. I don't do that. I kind of like the little (or bigger) imperfections in my work, and I also believe that uploading traditional work that has been digitally fixed gives people the idea that such perfect pictures can be achieved in a traditional way.
Anubis and his box of threads.
I am going through the wiki list of mythological hybrid creatures and imagining their lives and what they might be like and what they might like to do. It's been fun - sometimes; some of the myths are dark and sad.
M is for Masstransitscope. Masstransitscope is a zooetrope made by Bill Brand in 80s. Now restored and enjoyed on the B line going from Brooklyn to Manhattan. It never fails to make me happy.
This was a character I killed off a few months ago. I never knew what he was going to look like, until I heard the new Poison remix song. Then I could see him, I need to work on his ears a bit. I'll upload cleaner sketches and a digital image when I can. Let me know what you think.
It's a perfect day to read a book written by your friend.
My friends book right now is "Projections" by S. Porter. Her book is so good! It is dark and fascinating and so well researched. I am really enjoying it.
https://www.instagram.com/p/C4QrZoSO96u/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
