The Wizard is gone. The Ranger's blade has broken, but his spirit is on fire still, and he will conquer every foe in Mordor . The Ice Alf is surely out of his element in these lands of fiery doom, but he has an oath to honor to brother to captain and to king, also, there'es no way he'll be upstaged by the dwarf . The Dwarf, one victim amongst many, the difference is that he still breathes, and that is their biggest mistake.
I would like to place a red rose somewhere in the vicinity of the red circle. Should I make the background darker than the Friesian, lighter (grey-ish) than the Friesian, or keep it how it is? Any opinions/comments would be very helpful.
Our Dining Room is my favorite room in the house. Every family meal we eat at home happens there - breakfast, lunch, and dinner. Meal times are our sacred family time to share our day, our thoughts, our struggles, our successes, etc. We do have a breakfast area. But aside from homework, projects, or reading the newspaper, the breakfast area doesn't get much use unless needed for overflow from the dining room when we have visitors.
India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
It was supposed to be a blooming cherry tree but somewhere in the proccess it turned toward a scary dead tree like from Sleepy Hollow of Tim Robbins ;)
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
The amount of erasing I've had to do in this digital sketch would have turned real paper into dust. I had so much trouble nailing down what I wanted, but I've got the beginning framework and I'm so relieved to have it out of my head.
...supported by some bioluminescent particles. I drew the glowy effect with a merchandise neon orange pastel pencil that I probably stole somewhere. The rest is a simple black fineliner on drawing paper.
**ENDANGERED SPECIES** This small bird the Golden Cheeked Warbler #goldencheekedwarbler #endangeredspecies also known as the #GoldFinchofTexas lives and breeds in Central Texas particularly somewhere around the Edwards Plateau, Lampasas Cut Plain and Central Mineral Region. The main reason of the threat and decrease of this small bird’s population is mainly because of ranching, agriculture and land development. At present, there is no known record of the number of Golden Cheeked Warblers remaining.
an observational study, photo reference is somewhere in here: http://www.petnyaku.com/photo/kucing-dan-anjing-kalau-ngantuk-ya-nguap-aja-gak-peduli-tempat/
This critter's technically unnamed, so if you have any suggestions please comment them, I do like feedback sometimes lol. The scene is set on an eco-planet, somewhat like a zoo but more future tech-y. The ring in the sky is a sort of shield against any stray space rocks as shown. Hope you like it. (older drawing, made with Krita, all my drawings so far were from Krita actually)
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
