"I take a step outside and I breathe the air, and I slam the door, and I'm on my way. I won't lay no blame, I won't call you names. 'Cause I've made my break and I won't look back; I've turned my back on those endless games." Although I'm a bit late, May 1st was Decision Day (congrats to everyone in the class of 2021!), and I'm proud to say I'll be a Blue Demon this fall (a very sciencey one at that).
Inktober
Day 20
Frost
I think this is one of my best drawings. I actually put a lot of thought and work into this one, then I did the previous ones. Stipling is a very hard, time consuming,and patient way of doing ink drawings. I have seen beautiful stippling drawings and wanted to try on this one.
I found a Gap ad in a 90s Vanity Fair magazine; the background was completely white, perfect for doodling a background on it. I also highlighted the woman's freckles and lips with a bronze Sharpie.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
