The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
I destroyed this water color painting while removing the stick tape.
But then to think about it, The Joker is also an error created by the society and thus a human error. He came fine in this world but the world hasn't been kind to him. And that revered back as an ultimate Villain as Joker to the society. So ultimately the two errors met up on this page.
"You'd rather see, me in the pen,
Than me and Lorenzo rollin' in a Benz-o.
Beat a police out of shape
And when I'm finished, bring the yellow tape".
First playing card for a musical game of fours.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
Starring The Beach Boys: Good Vibrations (1967). Featuring Joy Division's Unknown Pleasures (1979). Let me tell you a story about a tragic genius ahead of his time. About a songwriter who wrote his songs on a piano situated in a sand box. About a musician combining a variety of tapes to create this carefree beach sound. About a man who was afraid of the audience and who broke down under the pressure. Tricolor linoprint using one lino plate. June, 2020.
Elias Rosenshaw (under the name Sage Stanley) 7/30/2023
Digital collage of acrylic paint on paper & photography with filter.
On display in the "Basement Tapes" virtual gallery at www.119northweatherly.com
This is the third page of my attempt at 100 heads, this is Ra the sun god from the original Stargate movie. I was gifted a VHS cassette tape from “santa” back in the mid nineties, of which I still have. I watched that movie so many times my parents nearly burned the tape…
For the new year I am doing the 365 challenge drawing SOMETHING EVERYDAY but on day 3. I wanted to do something with paint and tape but it did not come out the way I wanted but that's what happens when trying something new.
