This is our husky named Shasta and was drawn in Photo Shop using the brush tool. I find the more I create using my computer the more inspired I am to return to the project at a later date. If I would have drawn this on sketch paper it would be lost in my piles of sketches and might never even get shared with anyone.
I practiced the colors with these watercolor pencils. I realized I didn't have enough color. Size: A/4 , Tools: white gel pen, "Faber-Castell Colour GRIP" watercolor pencils, watercolor paper
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
Hey Boos! It's me Peekaboo! This drawing was made by a lasso tool (some parts arent lasso tool for design purposes) and the day before yesterday I got surgery on my arm so I get to skip out on PE!
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.
Hi, completed in pencil. Softest 4B. Layered technique. Without any use of blending tools. Just the silky smooth pencil in hand bringing out the texture of the 300lb Bristol Vellum.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
This picture was drawn by me with Pentool SAI software on my computer, the picture designed by me from the cameraman is the beautiful female character Dieu Thuyen sipping a glass of wine while waiting for her father to return from a victorious war. Dieu Thuyen is one of the most talented beauties I have ever known, so in the photo I added an oval lute and used pink as the main color for the embellishment. giving Dieu Thuyen a proud beauty. The pictures I draw and create are posted here for all to see and for me to judge, this photo is my own drawing will be protected under section 512(c) of the Millennium Copyright Act . the digital age (“DMCA”).
Artist: Phan Thy -
Email: thichanime100k@gmail.com -
Copyright belongs to me - Phan Thy -
Do Not Reup
Re-watching the series now. Really liked the general concept, visual character design and the action scenes. It even inspired me to make an AMV about Korra >> https://www.youtube.com/watch?v=-TIidatQrw8
It was nice and refreshing to see a (physically) strong rebellious female character, something different from a usual portrayal of female characters. However something went down the hill and I'm struggling to go past the 1st season hehe.
I know, Korra and the whole series are quite controversial and I understand why, but as a female myself I was inspired by this badass female character (well, as I explained, until some point, but nonetheless). Anyways, hope you enjoy my drawing ^^
Program used: Paint Tool SAI
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
