walls

A hand-drawn illustration capturing the quiet beauty of a slow afternoon. Featuring a traditional tea set and a bursting vase of purple wildflowers against a sun-drenched window, this piece blends the "Sunday Reset" aesthetic with timeless botanical charm. Perfect for tea lovers, art collectors, and anyone looking to bring a touch of "home sanctuary" vibes to their walls.

A vibrant, hand-drawn urban sketch capturing the quiet magic of a black cat wandering through a Mediterranean-style alley. Featuring warm orange and yellow hues, loose marker strokes, and a whimsical atmosphere, this piece brings the warmth of a European summer right into your home.

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

Post-Apocalyptic Pastime In a world where decay replaces diamonds and cracked walls echo memories of youth, a lone figure stands ready to swing. Post-Apocalyptic Pastime reimagines America’s favorite game as an act of defiance—finding hope, peace, and play amid the ruins. The graffiti and broken skyline hint at what was lost, but the stance of “LEE 01” reminds us that even in the aftermath, the spirit to keep playing endures.

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance. This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com

Journey presents a surrealist setting where a man is rowing his boat through a wondrous landscape, surrounded by buildings and stones with strange symbols and runes. A bright heavenly light illuminates the traveller's origin while a stark contrast is made with the vibrant blue light, from behind the walls, of this mysterious sunken building. This artwork is for sale on inkywinky.com.au

How do i paint stone walls with a pallette without grey? I tried some different alternatives, i hope to get used these later.

Mix media, it was a fun project and is now hanging up just to make the walls look happier.

Started a new artwork inspired by Ben Reneer's song "Between These Walls"

This black and white piece adds definition to the walls of office space, the clean and composed look of the work renders great vision. It contains a collection of geometric shapes to provide meaning to your office walls of the office. Painting for office walls, black and white paint, acrylic painting for walls, geometric painting. #acrylicpainting #blackpainting #acrylicart

Textured acrylic painting on round canvas. This pink floral painting is perfect as a contrast decor piece for the blue walls of your living room. acrylic painting flowers on canvas. acrylic painting flowers aesthetic, acrylic art flowers, simple acrylic paintings, floral painting acrylic, pink flower painting, #paintingideasoncanvas #paintingideas #painting #flowerpainting

Minnie having a drink. I've done this idea a few times before, this time I covered Minnie in graffiti in contrast to the plain walls.

Happy Feast of Our Lady of Loreto! This is the Holy Family of Loreto or should I say Nazareth. The very house of Nazareth was taken up and brought to Loreto long ago. The walls are so sanctified and even hover an inch above the foundation by some miracle. I'm about to do a retreat there so pray for me! If your ever in Italy you must visit Loreto, the church is amazing! But the main thing is the have Eucharistic Adoration and the Holy House of Nazareth! Our Lady of Loreto and the Holy Family, pray for us! #loreto, #catholic, #church, #holy, #sanctified, #Nazareth, #HolyFamily, #OurladyofLoreto, #cattolico, #cattolica, #Eucharist, #Adoration, #Cathedral, #christian, #jesus, #mary, #joseph, #angels.

More artwork on my mom’s walls ;)

#Shoker #Shoker_Art1 #shokerstyle #graffiti #graffitiart #linestyle #letterart #mural #graffitiartist #muralartist #graffitiletters #graffitilife #graffitiwriter #spraypaint #sprayart #graff #instagraff #streetart #instagraffiti #styleinspiration #instaartist #urbanwalls #letters #artlife #graphic #art #design #artlife #letters

#Shoker #Shoker_Art1 #shokerstyle #graffiti #graffitiart #linestyle #letterart #mural #graffitiartist #muralartist #graffitiletters #graffitilife #graffitiwriter #spraypaint #sprayart #graff #instagraff #streetart #instagraffiti #styleinspiration #instaartist #urbanwalls #letters #artlife #graphic #art #design #artlife #letters

A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.

36 Days of the Via Francigena pilgrim walk recorded in sketch form, 1000 miles of drawing.

Tried to place some walls, trees, characters and further obstacles on a scene.

Sometimes, on the pathway to success, we will meet obstacles. Before we can reach our destination, we often have an ocean of things to overcome. We'd have walls to break down, oceans we have to swim over. This illustration is to remind everyone that no matter what obstacles we will meet, never lose heart and faith in the things you love.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Mural recently painted in Oklahoma City for Plaza Walls mural expo.

Whitetail is a terrific sidekick. He is a good fighter. He can run on walls. He is really strong. He can change different colors to camouflage to be safe when hiding. Kaitlen, Age 7

Tundra walls reveal a sickened creature on the edge of life. In time of passing, lost to history, but restored in the mentions of Earth. A darkness in last waves, but a reflection on the happiness, the loves of ones life respected and acknowledged.