Juice_Lime's Uploads

Decided to complete the background colour spectrum, now it feels more complete.

One is plain and simple as an empty canvas, and the other is deep and mysterious as a one's imagination can go.

The feeling when I'm wanting to share something personal to the world:

Phoenix or Wyvern? Avian or Dragon? It doesn't matter anymore when Ido seems to hold characteristics of both. On a prompt, I tried reverting a very important feature: the eyes, back in a light cyan / blue colour. Suddenly with this step backwards, he was a step closer to life again.

Scribbles of random things around me.

Years back, when I tried drawing different dragons I saw on the internet on a whim. Now that my old sketch book is nearly full and I am getting ready to move onto the next, I went through the whole thing and rediscovered this.

Contemplated alongside the song "Was It You" by Au5 and HALIENE.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

Part of the process of consolidating my personal OC. FIxing the colours, patterns, and more.

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

I do not know what is this... I just happened to draw it on a whim.

Experimenting with Ido, in conceptual design. His concept is actually still very ambiguous in my imagination, unlike his wyvern counterpart. There are still multiple interpretations I have to try out, before narrowing down onto the one which is the most fitting. His elusive character is starting to show (as an ego). A prideful yet aloof character, hiding a very vulnerable and lonely side underneath. Very wise and knowledgeable from an endless search for meaning, but there are some things that he still couldn't understand.

What happens when I recreate the vibe of a non-human OC as a human, lots of messy experiments going here. It turned out much better than I thought though, as I have very little confidence in drawing humans.

Just another day of struggling with it. Motivation feeling quite a bit dry, even if my brain is overactive with ideas. Decided to just say "screw it" and went with this doodle.

Two cute sillies who don't know which way to take.

Also the same old bird with coloured remaster. White bird and white background.... well.

Scribbles of the old wyvern with experimental remaster, coloured.

The shy bird always can't help but feel awkward with the clinginess of his same old partner, despite growing more bold.

Same old clingy and affectionate wyvern OC, but with some remasters underway.

After 1.5 hrs of experimenting... It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all. p.s: I also have to remember to keep the neck shorter...

A surprise scribble done on a whim, and I did not expect this myself. The drawing progress felt very smooth and sleek, almost like it felt more natural to draw characters in this style over my "usual" serious mode.