Finally finished! This project took many long hours (about 8-9) and reduced my brand new 6B pencil to nothing but a tiny stub... “Black Gold” is done in graphite on 80 lb drawing paper. If you are interested in prints please contact me via my website.
A detail from Polar Bear Ship, a recently finished drawing after Pieter Bruegel the Elder, an artist of the 15th century. I changed it a fair bit, his didn't have polar bears - or any animals. I wanted to try out his style. I like this way of drawing.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen.
This is the full spread in my moleskine of Return of the Polar Bear. It is after Pieter Bruegel the Elder, an artist from the 16th century, with my own changes.
Drawn from a garden photograph. This took me much longer than expected. I kept stopping because I was getting discouraged. I still don't like the leaves, but there's not too much I can do about it at this point.
First post on here and I didn't mean for it to be political! But this is probably one of the pieces that I'm most proud of in their use of bold colours. And I've not really been able to recreate it since.
My new method of finding something interesting to draw - now that I'm mostly at home, like everyone else - is using StreetView. I use the app to search interesting places around the globe. This one is a sketch of somewhere near Lagos in Nigeria.
I actually finally got round to framing this piece I did and hanging it up on my wall the other day, which made me really happy :).
Tool used: acrylics, colouring pencils, posca markers on brown A4 card.
This is the other half of Return of the Polar Bear, a drawing in my moleskine. It is after Pieter Bruegel the Elder, an artist from the 16th century. I began it as a way to try out his intricate use of line and hatching. The subject matter altered some along the way - his etching didn't have any animals, and of course mine had to be all about the animals. I also simplified. It turned out to be a wonderful lesson.
