Juice_Lime's Uploads

"A wyvern whose only desire is to be loved, despite a frighteningly monstrous nature and bleak origin. A master of encouragement, childlike mischief, wing hug offers, and bypassing the laws of reality in outrageous fashions."

An idea sitting around in my head for some time. It came out today as a sketch, but I still feel that I am not ready to draw this for real. Next time, maybe.

Two cute sillies who don't know which way to take.

Experimenting with Ido, in conceptual design. His concept is actually still very ambiguous in my imagination, unlike his wyvern counterpart. There are still multiple interpretations I have to try out, before narrowing down onto the one which is the most fitting. His elusive character is starting to show (as an ego). A prideful yet aloof character, hiding a very vulnerable and lonely side underneath. Very wise and knowledgeable from an endless search for meaning, but there are some things that he still couldn't understand.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

Contemplated alongside the song "Was It You" by Au5 and HALIENE.

Years back, when I tried drawing different dragons I saw on the internet on a whim. Now that my old sketch book is nearly full and I am getting ready to move onto the next, I went through the whole thing and rediscovered this.

Scribbles of random things around me.

Phoenix or Wyvern? Avian or Dragon? It doesn't matter anymore when Ido seems to hold characteristics of both. On a prompt, I tried reverting a very important feature: the eyes, back in a light cyan / blue colour. Suddenly with this step backwards, he was a step closer to life again.

The feeling when I'm wanting to share something personal to the world:

Decided to complete the background colour spectrum, now it feels more complete.

Wrapping my mind around drawing human / humanoid. Trace the silhouette first, then slowly carve out the anatomy and add on the clothing details last. Was also studying human anatomy earlier, tracing the body tones and proportions. Without paying much attention all these months, I managed to learn something I thought that I have been unable to do. Next would be to balance the style and details, especially with the faces...

They just have to be two together to let their contrast stand out. Simple as they are, representing each side of Duality.

Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever. Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall. Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.

A random sketch that became a drawing practice. Even tried to sketch the outlines of some coat. What happens when one draws without a proper plan or skeleton, ending up with a "lifelike perspective".