A sketch recalling an era when smoking indoors after a meal was commonplace—a fleeting pause of stillness before continuing the journey ahead. Done with mechanical pencil on scrap printer paper.
A late Christmas edition, but I suppose it's fine because it's still Christmastide. And according to the story, the wise men didn't actually arrive at the time of Jesus's birth so the lateness has some historical basis.
I swear I wasn't going to do fan art for Hazbin. But, yet here I a be. I'm not sure when this will be done. I have been feeling....yeah...so this might be a while until its completed.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.
Meadhbh stretching after a long pose.
Sketchbook work from November 2025
2025, Ballpoint Pens on 5” x 8” (10” x 8” Double page spread) Sketchbook, Adobe Photoshop
This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
