One year towards autumn a geologist was living in the pilots' hut. He couldn't speak either Finnish ow Swedish, he just smiled and flashed his black eyes. He would look at people and immediately make them feel how surprised and happy he was to meet them at last and then he just walked on with his hammer and hammered a rock here and there. His name was Jeremiah.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
It was slow work paddling but we got going We reached deep water, but that was all right because we had both nearly learned to swim. After a while we entered the sound near Red Rock.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Once I found a boat made of bark that was called Darling. It was very beautifully made with a hold, rudders, a wheelhouse and cloth sails. But Daddy said I didn't have to find out who owned it.
Maybe nothing is so important provided that it is small enough. At least that's what I think.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.
A colorful and dynamic scene depicts a Cosmic Christmas Tree with swirling galaxies and stars against a dark background. The vibrant colors blend together to create an impression of movement and energy in space.
All men have parties and are pals who never let each other down. A pal can say terrible things which are forgotten the next day. A pal never forgives, he just forgets and a woman forgives but never forgets. That's how it is. That's why women aren't allowed to have parties. Being forgiven is very unpleasant.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
I made my golden calf in the arbour because it was a pagan place and a circle is always a good setting for sculpture.
It was very difficult to get the legs to stay upright but in the end they did and I nailed them to the socle just to make sure. Sometimes I stood still, listening for the first rumble of the wrath of God. But so far he had said nothing. His great eye just looked right down into the arbour through the hole between the tops of the spruce trees. At last I had got him to show some interest.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather.
We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.
Meadhbh stretching after a long pose.
Sketchbook work from November 2025
2025, Ballpoint Pens on 5” x 8” (10” x 8” Double page spread) Sketchbook, Adobe Photoshop
