Seemingly trapped indoors and inside your head indefinitely, the possibility of living a normal life after COVID seems like a fevered dream. Still one of my favourite drawings from 2020 and a technique breakthrough. Ballpoint Pen on Archival 8.5" x 11" paper
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
A breakdown of the Bic4 pen and No-name 10 colour pen layering that I’ve used.
Drawing in a single direction instead of using back-and-forth movement alleviates some of the blotching that happens when using ballpoint pens. The back-and-forth method usually deposits the gunk that builds up on the tip of the ballpoint, smearing them in unexpected and unfortunate places on the drawing. When using the back-and-forth method, I usually have a napkin handy in order to clean the tip of the pen. Model: Meadhbh (Maeve)
After struggling with horse anatomy from photos, I finally decided to search for white horses, figuring that I would be able to see details more easily than on darker photos. It worked out well, the details were much more discernible.
Nat checking her email. The polar fleece blanket colour and texture didn't turn out the way I wanted it to.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
A drawing that turned out better than I expected. Two hour seated pose.
Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.
I was fortunate enough to to take my sketchbook class to observe medical students dissect donor cadavers. These donors gave there bodies to science to further our knowledge of the human anatomy and to train our future doctors. We worked alongside the med students and anatomy fellows. It was a humbling and fascinating experience.
So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
A challenging media—Crayola wax crayons!
A self-portrait: I find that I’m grasping for something that always seems to be out of my reach. I didn’t bother to enter the official competition because I don’t have access to the specific colour set that they specified in the brief. I did enjoy drawing this self portrait with a medium I would not have considered. An awesome change of pace!
Malik straining to keep the twisting pose. Decided to leave this one as a slightly rough red Bic pen sketch for now. There’s something to be said about the energy found in the work-up drawing.
