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arch

Revenge Sinister Revenge Sinister
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Sunset Palm trees Study

Sunset Palm trees Study. Watercolour on Cold Pressed paper 6 x 8. March 25, 2020.

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Dietrich Adonis Dietrich Adonis
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March Of ROBOTS : DANGER!

March OF ROBOTS Day 2: DANGER! Done in @procreate using Tinderbox & Spectra brushes completed in 45 minutes (while watching Walking Dead) I guess the illustrator in me came out on this one...

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Revenge Sinister Revenge Sinister
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Quartz Crystal

Quartz crystal. Another prompt that became a value study. Watercolor and gouache. March 8, 2020.

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Revenge Sinister Revenge Sinister
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Sunset

Sunset. Gouache study... March 3, 2020.

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Joanna M Gregores Joanna M Gregores
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Paris

Paris and The Eiffel Tower

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Bill Crabb Bill Crabb
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Star Trek Sketch card Featuring Harry Mudd

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com

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Valériane Duvivier Valériane Duvivier
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Vet visit

Three years ago, I did Inktober with the 31witches theme fav.me/dalbqek. This picture was well beloved, so I did it again for my style search. The bat's name is Bruce.

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Celeste Celeste
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Butterflies Are Flying

Goldilocks zone...butterfly searching for the perfect chair. Colored pencil, ink and watercolor.

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Ginny Griffin Ginny Griffin
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Star Center

free hand doodles around two inner circles... pen, watercolor and markers

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Tommy Brudzinski Tommy Brudzinski
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Tasmaniarchitecturr!

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Tim peterson Tim peterson
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Delicate arch in the desert near Thompsonville, Utah south of St George in Southern Utah

Thompsonville is an imaginary town in Southern Utah. This sketch was drawn, added to The Adobe Sketch, where it was turned into a digital color print.

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David Laferriere David Laferriere
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Purple Lollipop

March 26 is Purple Day for Epilepsy Awareness. This is one of many of my Sandwich Bags I’ve been doing since 2008.

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Bella Mills Bella Mills
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Rose

Caran D'ache Luminance pencils on Arches watercolor paper.

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Monica Engeler Monica Engeler
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Traveling

Got the idea from a vacation. I did this with aqua brush pens. Very easy to use.

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Anna Deligianni Anna Deligianni
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Floating City part two

#cityspace #architecture

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Naomi Vona Naomi Vona
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Laughing At Patriarchy

Another doodle realised for my personal 100 Days Project.

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Martin Varennes-Cooke Martin Varennes-Cooke
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Fiery

March 2018 - Red Head.

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Martina Scott Martina Scott
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The Monday Friday Project

One of the 104 illustrations in #themondayfridayproject. Please search for and check out the full project on instagram

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Susan Schanerman Susan Schanerman
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A Merry March of Spots And Dots

Vibrant, cheerful, abstract design of shapes and colors. Available in sizes 6" x 8" to 16" x 20".

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sigrun hodne sigrun hodne
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Untitled

Just finished the excellent EXPLORING Kourse (Sketchbook Skool), I had to set my own agenda. I am trying to get used to using watercolors. I like it when they don't fill the page entirely. Here is an archerfish trying to catch an insect by spitting at it,

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Joanna M Gregores Joanna M Gregores
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Untitled

It's Easter weekend, Passover, which means spring! Time to buy flowers plant gardens and enjoy this wonderful time of year. pen, ink, watercolor, colored pencil on arches 140 gram hot press cotton rag paper.

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scott mackie scott mackie
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Untitled

Ballpoint pen drawing on an antique parchment.

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V E R S Ā T I L V E R S Ā T I L
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ROMUALDITO

Aquella noche, al sentarse a la mesa ante la mirada de sus padres, Romualdito se sentía anonadado. Su padre le había dicho muchas veces que un pajarito verde le contaba al oído todo lo que él hacía. Era, pues, indudable que el pajarito verde le había contado su delito. Sin embargo Romualdito tomó su sopa, con las narices metidas en el plato, sin que ocurriera novedad alguna. Sus padres, como siempre, hablaban de cosas incomprensibles… Llegó el segundo plato, y lo mismo. Su madre le preguntó con indiferencia: -¿Te pasa algo Romualdito? Romualdito levantó los ojos y dijo con aplomo -No me pasa nada, mamá. No bien dijo esto tembló pensando lo que iba a ocurrir. ¡Había dicho que no pasaba nada, y había fumado! La mirada de su padre, que según este afirmaba, leía en el interior de su hijo, iba a descubrir su mentira. El fraile que se lleva a los niños iba a aparecer y lo iban a encerrar en el cuarto de las ratas. Aguardó un instante angustioso. Nada. El silencio, turbado por el chocar de los platos y los tenedores… Al llegar el tercer plato, don Rotulado dio un golpe en la mesa. Romualdito se estremeció. Pero era que don Romualdo opinaba que la salsa del pescado tenía poco perejil… Así, poco a poco, Romualdito fue serenándose y adquiriendo confianza sí mismo. Al llegar a los postres, miraba ya a sus padres frente a frente y sonreía. La comida había transcurrido con la cotidiana vulgaridad. No cabía duda: El mozo de cuadra tenía razón. Aquella distinción de “detrás” y de “delante” era toda una ciencia maravillosa, quizá toda la ciencita de la vida, y Romualdito, con la mirada lejana y sonriente, descubría horizontes nuevos e insospechados. Cuando terminó según el precepto de su buena educación, Romualdito se levantó, dio un beso a su padre y a su madre. Dijo ”Buenas noches”, en inglés, y se marchó. Don Romualdo exclamó con ternura viéndole irse: -¡Es un ángel! Y apuró con satisfacción su taza de café… _ La severa educación de Romualdito - Jose María Peman

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Ty patmore Ty patmore
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Westbound ‘49

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

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Hermit Hermit
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ROBBIE Wee Jobbie McFUD - British Heroes

(2B pencil on 137mm x 125mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

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Hermit Hermit
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EUGINE COCKSHAFT - British Heroes

(2B pencil on 141mm x 118mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

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Ty patmore Ty patmore
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Nowhere Fast.

"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere. In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.

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Hermit Hermit
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BARRY ANALBY - British Heroes

(2B Pencil on 135mm x 140mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

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Valentina Balan Valentina Balan
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Chess architecture

cardboard, gel pens, 43x32 cm, roughly 2014-2016

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Joselo Rocha Joselo Rocha
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Rainbow Ranch

A colorful sketch depicts two stone hacienda arches. The bright hues suggest a sunny atmosphere, and through one arch, a serene landscape with trees is visible.

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