arm

I had $560,000 in Bitcoin saved up to fund my life's passion, an off-grid solar project designed to bring light to rural villages. Years of scrimping, saving, and explaining to skeptical relatives that no, Bitcoin wasn't just for internet gamblers, came down to this. But a slip of the finger almost sent my plans into eternal darkness. Making a final transfer to consolidate my project funds, I had copied the wrong wallet address. It was so quick. One paste, one click, and my stomach dropped faster than a solar panel off a roof. My entire investment vanished into the digital ether. I stared at the screen, waiting for it to grow arms and slap me in the face. When it didn't, I knew I was in trouble. Desperation led me to an energy summit, more for a diversion than anything. But fate has a sense of humor. During networking in a break, I heard a speaker casually mention Salvage Asset Recovery, as one might refer to a weather app, not the digital cavalry. I pounced like a man who'd seen a power outlet in the desert. From that first call, their crew oozed competence and tranquility. They treated my busted transfer like an engineering challenge, not a personal disaster (even though I was seconds away from rechristening the project "Bit coinless in the Dark"). Using advanced blockchain tracing techniques, they mapped the Byzantine trail of transactions. I imagined them in hard hats, working the blockchain like electricians restoring downed power lines. Each update brought hope. Eleven days in, they located the funds. Two days after that, I had it back, every Satoshi. I nearly hugged my solar panel prototype. The Salvage Asset not only recovered my money; they future-proofed me. They walked me through address verification processes, multi-sig security, and how not to let jitters turn your dream into a nightmare. It did not come across as a lecture but more like taking advice from an older brother who went through every tech blunder imaginable. Today, my project is charging forward (pun intended). The first village will soon bask in sustainable power. When they flip that switch, I’ll know it was made possible by hard work, a bit of luck, and the brilliance of Salvage Asset Recovery. Reach out to Salvage Asset Recovery via below, Telegram---@Salvageasset Email--- Salvageassetrecovery@alumni.com

Greetings to friends and family, I am Dr. Donald Tim Writing to you from Canada to share an important and personal story that I believe could help others avoid the same mistakes I made. In 2024, I decided to try my hand at binary trading, drawn in by the promises of high returns and seemingly legitimate platforms. Unfortunately, what I thought was a golden opportunity quickly turned into a costly and painful experience. I was introduced to what appeared to be a professional binary trading platform, complete with glossy promises of quick profits and user-friendly tools. Eager to capitalise on the potential for fast gains, I invested a significant amount of money. At first, things seemed promising small gains here and there. But soon after, things took a turn for the worse. The platform I had trusted began to show signs of irregularities. My attempts to withdraw funds were blocked, and communication with the platform's support team became increasingly difficult. In the end, I realised I had been scammed, and all my invested funds had vanished without a trace. For a while, I felt hopeless. I had no idea how to retrieve my lost money or who to turn to. But fortunately, I was referred to Salvage Asset Recovery, a team of experts specialising in recovering funds from online frauds, including binary trading scams. Salvage Asset Recovery used advanced forensic techniques to track down the stolen funds and worked relentlessly to retrieve every penny I had lost. Thanks to their hard work and professionalism, I was able to recover all my lost money. I am truly grateful for their expertise, which turned a situation that seemed irreversible into a positive outcome. Now, I want to share my experience with others to prevent anyone from falling into the same trap. While binary trading can appear enticing, it is a space where scams are alarmingly common. If you’ve already fallen victim to such a scam, I highly recommend reaching out to experts like Salvage Asset Recovery. They specialise in recovering funds lost in binary trading, Forex, and other online investment scams. Please, take caution before investing in any online trading platform. Ensure it’s fully regulated and verified. If you’ve already been defrauded, remember that there is hope for recovery. Salvage Asset Recovery helped me reclaim my funds, and they can help you too. Stay safe, stay informed, [Their Contact info. Email Salvageassetrecovery@alumni.com

Dhammapada verse 127 & 128 You will not find a spot in the world – Not in the sky, not in the oceans, Not inside a mountain cave – Where you will be free from your evil karma. You will not find a spot in the world – Not in the sky, not in the oceans, Not inside a mountain cave – Where death will not overtake you. (translated by Gil Fronsdal) x x x Death ©️ DreamWorks Studios Death : originally voiced by Wagner Moura (born June 27, 1976) from "Puss in Boots: The Last Wish" (2022) Directed by Joel Crawford and written by Paul Fisher, Tommy Swerdlow, and Tom Wheeler x x x Treefood - That Handsome Devil https://m.youtube.com/watch?v=vxcgn.....bWUgZGV2aWw%3D

Major General Edwin Vose Sumner, 1797-1863, Union Army general and the oldest field commander of any Army Corps on either side during the American Civil War. Wikipedia Uni-pin marker and colored pencil on gifted paper.

Following a natural disaster overseas I came across a Facebook fundraiser claiming to send aid directly to families affected by the crisis. The images were heartbreaking: children huddled in temporary shelters, families sifting through rubble and the organizer posted daily updates about their so-called relief work. Feeling a strong urge to help I decided to donate $18,000 in cryptocurrency confident that it would make a real difference for those suffering. The updates initially seemed genuine with detailed descriptions of supplies being purchased and distributed. For a time I felt reassured that my contribution was actually reaching those in need and I thanked myself for trusting a platform where people could supposedly make a difference.However after a few weeks the page suddenly disappeared. Confused and alarmed I tried to track down the organizer but all contact information had vanished. It was then that I discovered the horrifying truth. The photos used in the fundraiser had been stolen from news sites and there had never been any relief operation. I felt an overwhelming sense of betrayal, anger and disbelief. Not only had I been scammed but my trust in online giving something I had always valued was deeply shaken. I began wondering if I would ever see the $18,000 again.Determined to recover the funds I reached out to Salvage Asset Recovery. From the moment I contacted them the team at Salvage Asset Recovery sprang into action conducting a meticulous investigation. Salvage Asset Recovery traced the cryptocurrency wallet I had sent my donation to and discovered that it had received hundreds of similar payments from other unsuspecting donors. Using advanced blockchain analysis tools Salvage Asset Recovery followed the trail as the funds moved through several smaller wallets each designed to obscure the trail. Finally Salvage Asset Recovery located the money on a major exchange confirming that it was still recoverable.Three weeks later to my immense relief Salvage Asset Recovery returned the full $18,000 to me. This was eye-opening on many levels. While it exposed me to the risks of online fundraising scams it also restored my faith in the possibility of justice and recovery when the right expertise is applied. Without Salvage Asset Recovery I would have likely lost faith in online giving entirely forever doubting the legitimacy of charitable campaigns I encountered. Instead I now feel more empowered and cautious knowing that while scams exist Salvage Asset Recovery is capable of untangling even the most sophisticated cryptocurrency fraud and helping victims reclaim what they lost. Whats app→ +18476547096 Telegram→ @Salvageasset

Introducing the beautiful Golden Retriever, the perfect companion for any dog lover. This lovely furry virtually white breed is known for its friendly and gentle nature, making it an ideal subject for pet portraits. As an artist, I specialize in capturing the unique personality and charm of each pet through my custom portraits. Whether you’re looking to immortalize your own Golden Retriever or seeking a heartfelt gift for a fellow dog enthusiast, my custom pet portraits are the perfect way to celebrate the special bond between a pet and its owner. Let me create a stunning work of art that you’ll cherish for years to come.

Lord Sebastian can be charming...in his own way.

arm day bimbo

Nature in harmony

My oc Spearmint's parents. Boxwood is the Icewing and Lime is the Sandwing.

Mark Twain (1835–1910) In the 1870s and ’80s, the Twain family spent their summers at Quarry Farm in New York, about two hundred miles west of their Hartford, Connecticut, home. Twain found those summers the most productive time for his literary work, especially after 1874, when the farm owners built him a small private study on the property. That same summer, Twain began writing The Adventures of Tom Sawyer. His routine was simple: he would go to the study in the morning after a hearty breakfast and stay there until dinner at about 5:00. Since he skipped lunch, and since his family would not venture near the study—they would blow a horn if they needed him—he could usually work uninterruptedly for several hours. “On hot days,” he wrote to a friend, “I spread the study wide open, anchor my papers down with brickbats, and write in the midst of the hurricane, clothed in the same thin linen we make shirts of.” Whether or not he was working, he smoked cigars constantly. One of his closest friends, the writer William Dean Howells, recalled that after a visit from Twain, “the whole house had to be aired, for he smoked all over it from breakfast to bedtime.” - From Daily Rituals: How Artists Work by Mason Currey “Everyone is a moon, and has a dark side which he never shows to anybody.” ― Mark Twain #dailyrituals #inktober #MarkTwain @masoncurrey

#YinYang #Design #Patience #Breema #NoHurryNoPause #Clock #AlarmClock #PauseButton #Balance #Typography #Mindfulness #ZenQuote #YogaInspired #Wellness #Meditation #Motivational #Positivity #Tranquility #MindfulLiving #SelfCare #Mantra #Quote #Philosophy #Principle #JoseloRochaArt

An original character a made for a collaborative world on unvale. io, her name is blood and she's been looking for her little cousin, Entity, ever since the eating epidemic started. She's quite anxious and a little shy but she usually warms up to people pretty quick.

After drawing a poison bottle I wanted to create an unconventional witch: young instead of old, red instead of violet, pharmacist instead of... well... By the way, I believe that most witches were pharmacists of their time.

The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance. This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com

Posted the sketch of this earlier, but I thought the ink looked nicer, so here you are! I love dragonflies. Deadly hunters, slaughtering their prey without mercy, yet beguiling enough to somehow convince humans they are harmless as butterflies. They have their own sort of deadly, sleek beauty.

Louis Armstrong (1901–1971) Armstrong relied on music to lull himself to sleep. Before he could get into bed, however, he had to administer the last of his daily home remedies, Swiss Kriss, a potent herbal laxative invented by the nutritionist Gayelord Hauser in 1922 (and still on the market today). Armstrong believed so strongly in its curative powers that he recommended it to all his friends, and even had a card printed up with a photo of himself sitting on the toilet, above the caption “Leave It All Behind Ya.” - From Daily Rituals: How Artists Work by Mason Currey “All music is folk music. I ain't never heard a horse sing a song.” ― Louis Armstrong #dailyrituals #inktober #LouisArmstrong @masoncurrey

Joseph Cornell (1903–1972) Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage. In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary). - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #JosephCornell @masoncurrey

In this captivating cross-hatched pencil shading, a tranquil village scene comes to life. The intricate strokes create a harmonious blend of light and shadow, showcasing the serene beauty of rural life. Thatched roofs, winding pathways, and towering trees are meticulously detailed, inviting viewers to step into the peaceful simplicity of village existence. The gentle interplay of shades and textures evokes a sense of nostalgia and calm, capturing the essence of a timeless village story.

Erik Satie (1866–1925) In 1898, Satie moved from Paris’s Montmartre district to the working-class suburb of Arcueil, where he would live for the rest of his life. Most mornings, however, the composer returned to the city on foot, walking a distance of about six miles to his former neighborhood, stopping at his favorite cafés along the way. According to one observer, Satie “walked slowly, taking small steps, his umbrella held tight under his arm. When talking he would stop, bend one knee a little, adjust his pince-nez and place his fist on his hip. Then he would take off once more, with small deliberate steps.” His dress was also distinctive: the same year that he moved to Arcueil, Satie received a small inheritance, which he used to purchase a dozen identical chestnut-colored velvet suits, with the same number of matching bowler hats. Locals who saw him pass by each day soon began calling him the Velvet Gentleman. The last train back to Arcueil left at 1:00 A.M., but Satie frequently missed it. Then he would walk the several miles home, sometimes not arriving until the sun was about to rise. Nevertheless, as soon as the next morning dawned, he would set off to Paris once more. The scholar Roger Shattuck once proposed that Satie’s unique sense of musical beat, and his appreciation of “the possibility of variation within repetition,” could be traced to this “endless walking back and forth across the same landscape day after day.” Indeed, Satie was observed stopping to jot down ideas during his walks, pausing under a streetlamp if it was dark. During the war the streetlamps were often extinguished, and rumor had it that Satie’s productivity dropped as a result. - From Daily Rituals: How Artists Work by Mason Currey

Teddy Bear's Change of Seasons - Sophie's Christmas included! Is beautifully written and illustrated, Teddy Bear’s Change of Seasons includes four charming stories, wonderfully rolled into one children’s novel.  Teddy Bear and his friends create magical ways to explore and learn about the snow-white, wonderful world they live in, which changes from summer to autumn and into an unforgettable Christmas.  Teddy’s journey of self-discovery through four seasons, Christmas included, begins in a magnificent old-growth forest, but Teddy is stuck inside a dark and lonely place. His dreams look far away and out of reach, until Teddy rescues a small mouse, who is desperate for help. From this one act of kindness, Teddy's life changes in ways he never imagined, bringing him close friends, a new loving family and the kind of challenges and adventures other teddies have never encountered before.  This is a dream of a book, the perfect snuggle-down bedtime story, accompanied by hot, sleepy cocoa.

Joan Miró (1893-1983) Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse. Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!” From Daily Rituals: How Artists Work by Mason Currey

From The Last Judgment

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

Arm drawing

Michelangelo drawing

Rubens drawing