Old drawing that I had contributed to a charity art book for Japanese tsunami relief efforts. Feel free to follow my facebook for additional updates! http://www.facebook.com/sonialaiart
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Whew! Baby yoda was fun to draw and gave me an excuse to get familiar with some of these brushes. The original sketch had a special guest, so you might see this one pop up again in the future. Hope you like him! .
45/100 of my nature illo themed 100 Day Project. I started my challenge drawing only on my iPad but hit some bumps when I forgot my Apple Pencil in Florida (I live in California). With that, I have been getting reacquainted with my sketchbook which has been set aside for a few months until now. Feels good to get back into it. Everytime I come back to painting, I wonder why I ever paused in the first place.
30 minute sketch in tinted charcoal on toned black paper. This spider lives outside my window and I have the perfect view of her catching wasps all day.
Hello, this is me in sunglasses. My name is Tricia (they/them) and I live on the east-coast of US in Maine (which is up by Canada). I look forward to the cooler weather. My goal is to draw more insects and moons in the future. Hope you have a great day~
A transmundane Tuesday prompt by Carson Ellis (with a serpent tail, in a hat, smoking a pipe). https://www.instagram.com/p/B8NSotBh5I2/?utm_source=ig_web_copy_link
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.