My very first freehand from the past almost two decades, scribbled it at dawn, after ten hours of work just to see where the lines take me. I learned that I really enjoy drawing hair strain by strain.
Since the dawn of l’automatisme, the floating shapes of Miro and Klee were praised as musical suggestions. Unlike the Masters, my groundwork of flowing lines speaks melody and rhythm from a musical score perspective. The flow of lines ties the art elements into a composition. It also reflects a concept from Chinese paintings, which says, ` as a line moves into the invisible, the idea continues.’
