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ears

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Auren Portrait

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

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gabbie gabbie
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Worlds Smallest Violin

made in magma hears the link- https://magma.com/invite/HVL6T7HH oh so yes my wii deleted you oc has a human form because yes yall give me a Worlds Smallest Violin moment for one of your oc's I will go first vilit when she was a human was the outcast of her school but she made friends fast because of her art

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David Meehan David Meehan
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tears of Happiness

drawing with splash of colour

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BeastGurl1989 BeastGurl1989
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Critter and Mother

Critter is confronted by Mother to carry out what he is destined to to and warns him of the dangers he will face. Critter appears to be upset and scared with what Mother shares with him.

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Stephen Stephen
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Terror and Peace Bat and dove

This is a pumpkin design I carved for the 2015 Chads Ford Pa. Historical Society's Great Pumpkin Carve. This years design was a upright dove with out stretched wing, and it's bottom portion becomes an upside down bat with it's wing outstretched . I entitled it Peace And Terror. It represents the two realities most countries around the world are experiencing at this time. This year I thank God for helping me discover the most effective tools and carving method that has finally made me a expert pumpkin carver competitor. I have carved three pumpkin this year, and each one get better then the last. I have been in the past used the hammer and chisel method with wood carving tools. My new tools are clay sculpting tools using the shaving method. This design took me about 7 hour straight to complete . I did not get to chose or see the pumpkin I would be carving until the day of the competition. The carve is a live event,meaning you cannot bring a pre- marked or carved pumpkin to the event. This year I believe there were about 75 pumpkin artist who participated in the event. Written by Stephen J.Vattimo Oct 29, 2015

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Duncan Weller Duncan Weller
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Steel Cloud at the Laboratory

This is the sexiest page in an upcoming book I'm printing for Rogue Planet Books. It's a book of comics I did many years ago. I'm a bit embarrassed by some of it, but the drawings were great.

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Tamsin Jones Tamsin Jones
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Balloonicorn

After a year of drawing pretty much nothing due to artblock/burnout that came after a few years of battling my mind to be able to draw, this drawing marked me finally being able to return to art this November 2023 with a fresh mindset of less perfectionisim and more focus on my own enjoyment of the process. I had a limited timespan to work on this, a gift for my grandmother's 80th birthday, as I only began the process the day before I needed to email it across. Compared to the months it has typically taken me to finish anything in more recent years, this presented an extra motivation to abandon "perfect" in favour of "good enough". It's not as detailed as some of my prior works, but given the limited timespan and that I'm out of practice I am nonetheless happy with the result. As usual, I combined a graphite and ink drawing with digital colour+shading.

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Andrijan Andrijan
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Stalker from shadows,Vampis

This one I designed when I was 7 years old,hence the silly name and simple design,but effective......I Recently stumbled upon yugioh card "ryu kishin" and really liked pose he was drawn in,so I tried to redraw my Vampis in that pose while using ink and polychromos colored pencils. I always imagined Vampis being some kind of mischeavius minion using shadows to move around doing all sort of childish pranks,like throwing rocks at windows,or setting houses on fire....it's one of the two monsters that I remember from young age and I kept redrawing him every year or so.

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Mike Mike
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Imagination art

So I worked on this, using an older pic I drew from a few years ago, and am honestly happy with the results. this has got to be one of my most favorite DIGITAL drawings I've done. God be with you and guide you on your own drawings with your own talents.

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Stephen Stephen
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Eternal Fire

This is a 3D pumpkin I carved at The Phoenixville Pa. Pumpkin Festival,for the experts carver's completion. This was my first time using the clay sculpting tool to carve with. I used the wood carving tool method for about eight years. The use of the clay tool give the carver more control to be able to do more detail . the wood carving method is chiseling away the pumpkin flesh where the clay sculpting tools method you scrape way the flesh. This the second pumpkin carving contest I have participated in in less then 5 day apart. Now that I have found a method and tools that work far better than my old ones, less see if my pumpkin carving skills can catch up to my artistic skills. Written by Stephen J. Vattimo Oct 24,2015

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Roger Warn Roger Warn
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The Emperor in Egg Tempera

Emperor Palpatine - Egg tempera on panel 9x12. This is my 3rd attempt at egg tempera, and I absolutely love the medium. It is a little tricky to get used too, but it is quite flexible ... despite the textbooks on it that are now over 500 years old.

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John Estock John Estock
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Doodle Draw 30Aug—Ears

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Elias Rosenshaw Elias Rosenshaw
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Im Being Silly

Elias Rosenshaw 10/5/2023 Filtered digital collage of archival ink pen & gel pen on paper, gears (one with acrylic paint), manipulated photography, and digital colours & patterns.

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Yānā Moon Craft & Art Yānā Moon Craft & Art
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Amy

I drew this many years ago, on my phone.

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ChadKiley ChadKiley
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Appearance of the White Princess

It was unclear whether there were flames or what was going on tbh. It appears that she sits on a horse with a smile. There may be others in her party. Be warned.

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Brianna Eisman Brianna Eisman
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Color Cow

This colorful painting was created using gouache paint to give an illustrative design feel. The subject is a cow painted using non-local colors like pink and violet, contrasting the orange sky background. I love the small clover flower the cow appears to be smelling in the foreground of this piece. For more in my gallery, please visit ArtsyDrawings.com!

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Chris Kirby Chris Kirby
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Drunk history

This is a painting I did while drunk on New Years a few years back. The front of the canvas is painted straight black. This is the back view.

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Ginger Ginger
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Bunnie Rabbot 2023

16 (or 17) years ago, I've done some fan art of Bunnie Rabbot from the "SatAM Sonic" series. Now, she's back in my fan art roster and I must say, I like how I drew her.

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erik cheung erik cheung
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Sutra

Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.

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bruno bruno
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Painter Scrub Jay Bird

The little bluebird, restless artist, Flew over the orange horizon without restraint. With his box full of colored pencils, He thought he could paint the sky in an instant, of course! But too many pencils and too few wings, Unbalanced the poor little bird. So many colors, no coordination, His creative disaster fell to the ground! Orange, yellow and red pencils shattered, While the little blue bird fell in tears. His celestial dream turned into a nightmare... Until he saw - a rainbow formed! From sadness, joy overflowed, In that magical moment he understood: It doesn't matter the skill or the tools, Art comes from the heart, even if messy!

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Scott Ries Scott Ries
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Where Did the Years Go?

Pencil Drawing

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Patricia Bingham Patricia Bingham
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Flora Dora

Flora, My Muse for 25 years. Pencil on Paper.

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Esther Esther
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King Charles

Kings crowning. Made me think of the animated Robin Hood by Disney, where the crown was to big for the head of lion John, but it held on his ears.

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Mikko Iskanius Mikko Iskanius
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August 2014

Another pencil drawing from 2014. I had a long break from drawing and painting between 1994 and 2013. The arts teacher of my high school made me feel like shit and i decided to quit painting. At 36 years old I realized I missed it and started again by buying a set of pencils as a birthday gift to myself.

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Rupali Roy Choudhury Rupali Roy Choudhury
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Anime portrait of Sunato Banda

The dangerous and the ultimate bad boy: A serial killer from Alice in Borderland. Banda appears in Jack of Heart games. My portrait drawing captures his crazy and cunning personality

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sayuri magnis sayuri magnis
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Bears

Bored in class so I made bears

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Yānā Moon Craft & Art Yānā Moon Craft & Art
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Oak Fruit Runes

A design I drew about 6 years ago, when I made rune cards. Drawn on a Samsung Note.

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Art Craft Land Art Craft Land
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Buttons demonstration

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Paperclips mountain by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Home by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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