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I had some inspiration from H.P. Lovecraft and Disney. The tentacles come out from under her dress. I guess I'm embracing my inner villain or anti-hero, she is...disturbing but in an innocent sorta way.

(Ps its my 17th / 18th time drawing my oc Junior in my Sneezy art and doodle addict era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 6 months pregnant btw. (PS forth junior drawing on sneezy art and fiest time on doodle addict btw.) *PS photo 1 is finished ver and photo 2 is inked ver brw and photo 3 is pose ref.* *Ps: it's not my best work yet! But it's bit if an improvement of last time even I took 2 days I started on June 14 and 15th and I liked better than last junior I made last time and better then inked ver btw!*. (PS Emma fan pride month 2025 just started fr btw fr

While working at the GCPD, they haven't really communicated. Or rather, they haven't communicated at all - Edward was courting Kristen Kringle, and if they crossed paths, it was limited to simple "hi-bye." But Amber was starting her "career" as an informant and tried to pay attention to her colleagues, especially if they stood out in some way. And Edward stood out. Not only with his brilliant mind, but also with his good manners, determination, and gentlemanly treatment of women. Therefore, Amber had him in good standing - which, in the context of her character, is a great compliment. But she did not seek friendship or any connection with him, being too busy with her ambitions. But they really got to know each other many years later, when he became the Riddler, and she became the Stalker. She, as always in all her versions, became obsessed with a new, interesting person, like a fan of a character, and wanted to become closer to them. This time, that person was him. She even felt strangely shy about going and confessing her interest to her former colleague. But nevertheless, everything was as usual - Amber, who rarely feels strong emotions, always tries not to miss the opportunity to satisfy her loneliness and sparked passion for someone with this strange agreement: she offers free information to her obsessions in exchange for their company and their personal information (like what subject they liked in school, how they prefer to court their love interest, nothing that could compromise them (She can find it on her own). She also does not enter into sexual relations with them, even if they are not against it). Having lived in the illusion of being showered with their attention, she eventually gets tired of them and silently moves on, ghosting them unless they do something that returns her interest (after all, having free info is worth "forgiving" her for moving on on them). This time, everything was the same. But the Riddler would not be the Riddler if he left her strange puzzle unsolved. Not that previous obsessions all let her go without questions, but they were not the Riddler. And everything became complicated...

My Bitcoin wallet was compromised in a single, catastrophic transaction, resulting in the irrevocable loss of my Ethereum and Bitcoin holdings. The moment I grasped the magnitude of what had transpired, I was engulfed in a torrent of disbelief and despair. With approximately $525,000 vanished in an instant, I felt utterly adrift and uncertain about my next steps. I reached out to various Bitcoin support teams, but my efforts were met with silence, leaving me feeling abandoned in a labyrinth of confusion. I even ventured to my local police station to file a report regarding the theft, but unfortunately, the officers explained that cryptocurrency-related crimes often fall outside their jurisdiction. As I stood there, grappling with frustration and helplessness, a kind woman approached me. Sensing my distress, she handed me a note with an email address for Lee Ultimate Hacker, claiming that this recovery company could potentially help me reclaim my lost funds.I decided to reach out to Lee Ultimate Hacker using the email address she provided Leeultimatehacker@aol.com . I meticulously detailed my situation and submitted all the requisite documentation concerning my cryptocurrency holdings and the theft. To my astonishment, I received a response from Lee Ultimate Hacker within a mere 48 hours. They informed me that they had successfully traced my lost funds and identified the perpetrators responsible for the theft. This revelation was a beacon of hope in an otherwise bleak and disheartening situation. This taught me that while the world of cryptocurrency can be fraught with challenges and risks, it is indeed possible to recover lost funds if you connect with the right professionals, like those at Lee Ultimate Hacker, and adhere to the appropriate procedures. I learned the paramount importance of acting swiftly and seeking assistance from specialists who understand the intricacies of cryptocurrency recovery. Although the journey was riddled with anxiety and uncertainty, I am profoundly grateful for the support I received from Lee Ultimate Hacker. My story serves as a poignant reminder that even in the face of significant loss, there are avenues for recovery and support. I hope that by sharing this, others who find themselves in similar predicaments will realize they are not alone and that help is indeed available through dedicated services like Lee Ultimate Hacker

*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)* (Ps emma fan pride month is very soon

Patron Saint of Lost Keys and Small Things. Reminded me of this poem by Elizabeth Bishop. One Art The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother’s watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn’t hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn’t a disaster. —Even losing you (the joking voice, a gesture I love) I shan’t have lied. It’s evident the art of losing’s not too hard to master though it may look like (Write it!) like disaster.

Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever. Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall. Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.

As a former intelligence officer, I thought I knew everything about security. My job was all about protecting classified information, so when it came to my Bitcoin wallet, I went all in. I created a password so complex, it was virtually unbreakable. At first, I laughed it off surely I’d remember eventually. But try after try, nothing worked. That’s when the horror set in. I had locked myself out of my own wallet. My $1 million was sitting there, completely untouched… and completely unreachable. I felt embarrassed, frustrated, and desperate. That’s when I came across *CRYPTO RECOVERY CONSULTANT*. Honestly, I didn’t have high hopes. I assumed I was out of luck. But from the moment we spoke, they treated my case seriously like a high level op. No judgment, just focus and professionalism. They explained their method clearly and assured me it wouldn’t risk my funds. It wasn’t fast or easy there were delays and doubts but they stayed committed. And finally, they did it. They recovered my wallet. The relief I felt was beyond words. It wasn’t just about the money it was about redemption. I hadn’t lost everything after all. The biggest lesson? Sometimes, simple is smarter. I had tried to outsmart potential threats and ended up being the threat myself. Security doesn’t have to be complicated to be effective.If you ever find yourself locked out, don’t give up. I trusted CRYPTO RECOVERY CONSULTANT, and they brought me back from the brink. For that, I’ll always be grateful.WhatsApp: +19842580430 cryptorecoveryconsultant :@: cash4u com

Anoia is an actual Goddess, and not a Patron Saint, but I really wanted to draw her. Anoia is the Goddess of Things That Get Stuck in Drawers, a minor goddess on the Discworld (by Terry Pratchett - and if you don't know who he is, you should read his books! You can start with Small Gods -it is a standalone in the Discworld world. Or Guards! Guards! is another good choice). When someone rattles a drawer and cries "How can it close on the damned thing but not open with it? Who bought this? Do we ever use it?", even though the person might be genuinely irritated or even exasperated, it is as praise unto Anoia. Faithful Anoians (worshippers of Anoia) purposefully rattle their drawers and complain every day. Anoia also finds objects that roll under other objects and things stuck in sofa cushions, and is considering handling stuck zippers. She eats corkscrews. Her name is clearly derived from "annoy". Anoia she was formerly the volcano goddess Lela. She mentions that she has not been in her current position long, but what constitutes a long time to a god is unclear. discworld.fandom.com/wiki/Anoia #patronSaints #terryPratchett

It has been a while, and even a shadow evolves. However, Yu is still as clingy as always as a ball of seemingly limitless energy. New eye designs to better fit the original Avali vibes, a little more vibrant on the feather-do, and maybe a little update in the suit too. Yu loves it.

For the 14th of Marchusic, I drew Policarpo, who sometimes doesn't have a good day, even though he has his friends. He remembers that his acquaintances in the ranking don't treat him like family

Nikola Tesla (1856–1943) After he had started his own company, Tesla arrived at the office at noon. Immediately, his secretary would draw the blinds; Tesla worked best in the dark and would raise the blinds again only in the event of a lightning storm, which he liked to watch flashing above the cityscape from his black mohair sofa. Tesla ate alone, and phoned in his instructions for the meal in advance. Upon arriving, he was shown to his regular table, where eighteen clean linen napkins would be stacked at his place. As he waited for his meal, he would polish the already gleaming silver and crystal with these squares of linen, gradually amassing a heap of discarded napkins on the table. And when his dishes arrived—served to him not by a waiter but by the maître d’hôtel himself—Tesla would mentally calculate their cubic contents before eating, a strange compulsion he had developed in his childhood and without which he could never enjoy his food. - From Daily Rituals: How Artists Work by Mason Currey “Of all things, I liked books best.” ― Nikola Tesla “One must be sane to think clearly, but one can think deeply and be quite insane.” ― Nikola Tesla #dailyrituals #inktober #NikolaTesla @masoncurrey

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

George Balanchine (1904–1983) Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule. - From Daily Rituals: How Artists Work by Mason Currey “I like to do things certain ways and I disagree with everybody but I don't even want to argue.” ― George Balanchine #dailyrituals #inktober #balanchine @masoncurrey

Louis Armstrong (1901–1971) Armstrong relied on music to lull himself to sleep. Before he could get into bed, however, he had to administer the last of his daily home remedies, Swiss Kriss, a potent herbal laxative invented by the nutritionist Gayelord Hauser in 1922 (and still on the market today). Armstrong believed so strongly in its curative powers that he recommended it to all his friends, and even had a card printed up with a photo of himself sitting on the toilet, above the caption “Leave It All Behind Ya.” - From Daily Rituals: How Artists Work by Mason Currey “All music is folk music. I ain't never heard a horse sing a song.” ― Louis Armstrong #dailyrituals #inktober #LouisArmstrong @masoncurrey

An old sketch made with acrylic paint.

Joseph Cornell (1903–1972) Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage. In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary). - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #JosephCornell @masoncurrey

There's so much history to choose from. I feel that if we can add wizards to the middle ages, they should be everywhere else too. Also, all wizards in the seventeenth century wear scarves. It's a rule.

still can’t believe my dad made me move to this platform (my god..,.. what do you MEAN you cant return to the next line in the description? thats even WORSE i’m already starting to despise this platform) anyways,,. this was based off of a short conversation i had with my brother where i asked him “will (name) ever like me back?” and he casually responded “no” and it killed me :( i decided to make a joke out of it because i love to kill my mental state | also please know that this is my first time drawing actual anime and this is half satire so i didn’t put much effort into the faces

A colorful painting from imagination using watercolor markers...

Joan Miró (1893-1983) Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse. Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!” From Daily Rituals: How Artists Work by Mason Currey

(Gel Fineliner on A5 Paper) The fifth, and last, of these small CBA images, and even an artist can find better things to do when they get bored of doing artwork, but don't worry, they always return to it.

(Gel Fineliner on A5 Paper) It is finished, even if it doesn't look like it. It reflects those old peanut display cards of the 1970s and 80s which were like a peanut strip-tease as the snacks were bought and more of the image was revealed. It's also a comment on the endless WIPs that some upload on social media which are like a form of "peanuts" in themselves.

Wolfgang Amadeus Mozart In a 1782 letter to his sister, he gave a detailed account of these hectic days in Vienna: "My hair is always done by six o’clock in the morning and by seven I am fully dressed. I then compose until nine. From nine to one I give lessons. Then I lunch..." From "Daily Rituals: How Artists Work", edited and with text by Mason Currey.

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

Technical info: title: El Traje de Luz Installation in situ Inside the church Pzza Rena Merano Asfaltart Festival event 2024 edition / Long Night of the Churches Technique: Tempera painting on paper (selection of double pages of the daily newspaper Le Monde March/April/May 2024 with reports on the economic, social crisis and international conflicts) Size 5x7m = 16 double pages x 27 boxes = 432 double pages = 864 services/articles

I don't even know what I was thinking with this one and I only created it yesterday on drawing pad app

Ugh, it's been a long time since I've painted the good old Jiao... Come on, admit it, who didn't do their homework and made the teacher angry??>:( Oh yeah... An experimental palette! I don't even know if I like it or not