First Sorrowful Mystery: The agony in the Garden.
The Angel is dressed in black because it is fortelling his death and the chalice is like a bitter black liquid. Jesus suffered such agony in the Garden of Gethsenami that it would have been enough to save us all but he wanted to give an abundance of graces and spiritual gifts for our salvation by suffering for us all possible pains we could experience. So that even pain can bear fruit in our lives.
"Then Jesus went with them to a place called Gethsemane, and he said to his disciples, 'Sit here, while I go yonder and pray.' And taking with him Peter and the two sons of Zebedee, he began to be sorrowful and troubled. Then he said to them, 'My soul is very sorrowful, even to death; remain here, and watch with me.' And going a little farther he fell on his face and prayed, 'My Father, if it be possible, let this cup pass from me; nevertheless, not as I will, but as you will"' (Mt 26:36-39).
"Such a battle and such a victory become possible only through prayer. It is by his prayer that Jesus vanquishes the Tempter, both at the outset of his public mission and in the ultimate struggle of his agony" (CCC, 2849).
Our Father, 10 Hail Marys (contemplating the mystery), Glory be to the Father.
And here it is: The Transfiguration! in color ^_^ Elijah and Moses with Jesus and the Apostles from left to right: James the Greater, John and Peter. I have his stigmata in gold because we hadn't recieved the wounds yet but this vision is a big revelation and confirmation of His divinity and mission so I put some signs there, but the apostles would not yet understand, but after they would.
Matthew 17: 1-9
[1] And after six days Jesus taketh unto him Peter and James, and John his brother, and bringeth them up into a high mountain apart: [2] And he was transfigured before them. And his face did shine as the sun: and his garments became white as snow. [3] And behold there appeared to them Moses and Elias talking with him. [4] And Peter answering, said to Jesus: Lord, it is good for us to be here: if thou wilt, let us make here three tabernacles, one for thee, and one for Moses, and one for Elias. [5] And as he was yet speaking, behold a bright cloud overshadowed them. And lo, a voice out of the cloud, saying: This is my beloved Son, in whom I am well pleased: hear ye him.
[6] And the disciples hearing, fell upon their face, and were very much afraid. [7] And Jesus came and touched them: and said to them, Arise, and fear not. [8] And they lifting up their eyes saw no one but only Jesus. [9] And as they came down from the mountain, Jesus charged them, saying: Tell the vision to no man, till the Son of man be risen from the dead.
Ok made the 2nd Mystery of the Mysteries of Light: The Wedding of Cana. Also an important revelation and the prime miracle that started Jesus' "hour". I definately spent much more time on the Baptism because of it's important icon significance but I found some good lil inspiration for this too, a bit more simple but nice. ^_^ Oh and if you don't know the story:
John Chapter 2
1 And the third day, there was a marriage in Cana of Galilee: and the mother of Jesus was there.
2 And Jesus also was invited, and his disciples, to the marriage.
3 And the wine failing, the mother of Jesus saith to him: They have no wine.
4 And Jesus saith to her: Woman, what is that to me and to thee? my hour is not yet come.
5 His mother saith to the waiters: Whatsoever he shall say to you, do ye.
6 Now there were set there six waterpots of stone, according to the manner of the purifying of the Jews, containing two or three measures apiece.
7 Jesus saith to them: Fill the waterpots with water. And they filled them up to the brim.
8 And Jesus saith to them: Draw out now, and carry to the chief steward of the feast. And they carried it.
9 And when the chief steward had tasted the water made wine, and knew not whence it was, but the waiters knew who had drawn the water; the chief steward calleth the bridegroom,
10 And saith to him: Every man at first setteth forth good wine, and when men have well drunk, then that which is worse. But thou hast kept the good wine until now.
11 This beginning of miracles did Jesus in Cana of Galilee; and manifested his glory, and his disciples believed in him
Of all my work, this is my favorite so far. I made it earlier this year and it is still inspiring me to try new things and not to pump out all the same stuff every day.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Coloring practice! Looked up a lot of references for the lighting, and despite not looking like the reference I'd say I've leveled up with colored pencils. I almost never use prismas except for hair, but this time prismas colored the entire lass. This here's Yonn Goldheart Afflora, savior of Galantra, basically she's the braveheart of her country. The dirt on her face speaks of 1000 hunts and the loss of her eye shows the extent of her bravery and sacrifice. I'm thinking her chapter should be explained in a short story, yes? For legends get passed along in story over fire and wine!
A3 format, acrylic, felt pen, colored pencils
Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.
