Medium : Pen and Ink on Bristol Board
Size : 11" x 15"
Year completed : 1987
This rendering is part of a collection of illustrations entitled " The Army Years." This rendering remind me of a ride I took on A Army National Guard helicopter,while I was serving in the Air Force- Civil Air Patrol. We were helping them to figure out the safest, and fastest, flight paths between hospitals, for when a patient needs to be air lifted from one hospital to another.
I got to rider in one of the sides compartments of the craft, with the side door open ( of course I was strapped in to my seat ) the craft at one point flew with my side parole to the grown, as it made a couple of sharp turn, real fun ride.
I served in the Civil Air Patrol for 4 year, one of the benefits, was a lot of flying time.
I Severed in the United States Army fore 9 years, 4 years National Guard, and 4 years Regular Army. While in the military , I was a anti tank toe missile crewman, Combat Engineer , and a Field Medic. I served during The Panama War, Desert Shield/ Desert Storm, Police action in Somalia.
This picture is entitled " Support Is on The Way." because any field soldier know that helicopter are the main transport vehicle for delivering, supplies, mail, equipment, moving troops back and forth, from the rear to the battlefield.
Written by Stephen J. Vattimo
One of my first landscape experiments in Photoshop. Whereas I previously was working in GIMP. I just wanted to experiment with values and distance and fog and mist, etc. The female figure adds some story to the scene.
Meadhbh standing while clasping her forearm. Two drawing details along with two in-progress scans of my technique: red Bic pen layer first, then green layer and finally the yellow ink layer. Bic4 Ballpoint Pen on Archival 9” x 12” paper. Model: Meadhbh (Maeve).
Medusa has always been one of my favorite mythology figures . And ... well, here comes the rant , I'll never quite forgive Athena for making her like this . Ironically, I've only really seen Medusa in her monster form , and this form , in all its unique fierceness , is what I've always been attracted to . I know I'll probably get a lot pf flack for this ... so I'll just quit while I'm ahead . Enjoy the cute pic .
A fun drawing to do. I usually do a lot of crosshatching, but for this one I went for the smoothness, better to capture the light, I suppose, where crosshatching can be a little distracting. Or look like hair! As some have said.
This is a painting of a first century Galilean fishing boat, most likely the very type of
boat used by Peter when he was called by Jesus to follow him.
This illustration is part of a bigger mural I am working on, about the ministry of Jesus
the Christ.
If you notice, the boat is beached facing backward, with the fishing net coming from
the back of the boat. This is to signify that Peter, like all the other apostles, except
Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who
would make them the fishermen of men’s souls.
Here is a truth about me as an artist. Two parts of this painting gave me trouble in
carrying out this illustration. The fist was illustrating the ropes of the rigging. My first
attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge.
The second was illustrating the rocks on the bottom of the Sea of Galilee and the
reflections of the boat on the water. I must have made about five attempts until it
finally clicked. Even when I kept looking at the reflections of boats on water, I could
not make the breakthrough.
In creating the kind of art that I do, it is very rare to find a model that meets all my
requirement for what I am illustrating. So, it takes photos and imagination and the
grace of God to create an illustration that looks better than a stick figure and communicates the message intended.
So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory.
(October 12, 2017)
