Drawn with Clip Studio Paint and XP-Pen Artist 15.6 Pro pen display tablet.
Critically Endangered The White-headed Vulture has undergone catastrophic declines in population number, with an estimate median decline in 96% over three generations (45 years)
This decline has been seen in its very large range from West Africa, across to southern Africa also. Reductions in populations of medium-sized mammals and wild ungulates, as well as habitat conversion throughout its range best explain the current decline. Additional threats include indirect poisoning at baits set to kill jackals in small-stock farming areas. This species is also recorded in trade in West and Central Africa as this species is used for both traditional medicines and also they are intentionally killed for use in witchcraft. This species is part of the Accipitridae bird family, which diverged from all other species of bird 49.6 million years ago during the Paleogene period. Vultures split from the other genera in this family 12.7 million years ago. This species is highly sensitive to land-use and is concentrated to protected areas. Individuals were marked with patagial (wing) tags in Fouta Djallon vulture sanctuary to monitor movements and for a toxicological assessment of the vulture population of the park. Additional studies to monitor the movements of individuals within and between protected areas in underway is South Africa. Info: Edgeofexistence . org #birdlife #birds #birddrawing #birdsketch #whiteheadedvulture #vultures #bampidraws
I started by thinking up the most awful things I could, which wasn't particularly difficult. When I had made things as awful as possible I took a run and bounced off the floor and flew away from everything, leaving it all behind me in a deep well. Down there the whole town was burning. Down there Poppolino was padding around in the studio in the dark screaming with loneli-ness. Down there sat the crow saying: it was your fault that I died. And the Unmentionable Thing crawled under the mat.
But I just went on flying.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Orangutan sketch (Original Dimensions: 3000x3000px x 300DPI) to try out my new iPad Air M2 13 using both iArtbook Pro and Artstudio Pro artist apps. This iPad is awesome for power and quickness.
Here are three main facts about adult male orangutans:
1. **Physical Characteristics**: Adult male orangutans are significantly larger than females, with an average height of about 1.2-1.5 meters (4-5 feet) and weighing around 50-100 kg (110-220 lbs). They develop distinctive physical features such as large cheek flanges (fleshy pads) and a throat pouch, which they use to produce long calls to communicate across the dense forests.
2. **Solitary Lifestyle**: Unlike many primates, male orangutans are solitary creatures. They spend most of their lives alone, except during brief periods of mating. This solitary behaviour reduces competition for food and other resources. The males will range widely and have large territories that often overlap with the ranges of several females.
3. **Long Call**: Adult male orangutans have a unique and powerful long call that can be heard over great distances. This call is used to establish territory and attract females. The call consists of a series of roars, grunts, and bellows, and it serves to warn other males of their presence, helping to maintain social hierarchy and reduce conflicts.
I got fed up with her because she wasn't happy. I don't like it when people find life difficult. It gives me a bad conscience and then I get angry and begin to feel that they might as well go somewhere else.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Last spring we had nineteen canaries. I must tell you, once and for all, that canaries are very virulent birds.
It starts with the mother bird and the father bird.
They have babies. And before the babies get a single feather on their bodies they have to leave home and the father bird sings again and the mother bird lays new eggs. That's how things go with canaries.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
One year towards autumn a geologist was living in the pilots' hut. He couldn't speak either Finnish ow Swedish, he just smiled and flashed his black eyes. He would look at people and immediately make them feel how surprised and happy he was to meet them at last and then he just walked on with his hammer and hammered a rock here and there. His name was Jeremiah.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A colorful and dynamic scene depicts a Cosmic Christmas Tree with swirling galaxies and stars against a dark background. The vibrant colors blend together to create an impression of movement and energy in space.
For some reason, I had to prove to myself that good art does indeed take time. Anyways, this is an angel character (they're not real angels, they're a fictional species of mine) in my "spacefluff" style. I think I want to name her Mosambi, because she's sweet.
All men have parties and are pals who never let each other down. A pal can say terrible things which are forgotten the next day. A pal never forgives, he just forgets and a woman forgives but never forgets. That's how it is. That's why women aren't allowed to have parties. Being forgiven is very unpleasant.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather.
We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
I swear I wasn't going to do fan art for Hazbin. But, yet here I a be. I'm not sure when this will be done. I have been feeling....yeah...so this might be a while until its completed.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
