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A typewriter sits on a table with papers flying out in a lively motion. The text reads: When the Muse Finally Gets Her Coffee. white line art.

A vibrant sketch of a yellow church with detailed architecture, the surrounding greenery enhances the serene atmosphere.

If a thousand girls walked past under this tree not one of them would have the faintest idea that I am sitting up there. The pine cones are green and very hard. My feet are brown. And the wind is blowing right through my hair. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.

A Mom and her chick. Digital doodle.

Another dog, that looks like a cow, dressed as a reindeer

A quiet moment before escape. Time is counted, tools are gathered, and the destination is already marked. The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.

These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.

#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...

I painted this to hang in my daughter's room.

Behind the Russian Church there is an abyss. The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked. Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

George Herbert, one of my favourite poets.

A reminder of the greatest gift to mankind. You can watch this being drawn on my YouTube here: https://www.youtube.com/shorts/_GFlBAoktFM

An illustration from my sketchbook. I used it as a header for a blog post I wrote here: https://substack.com/home/post/p-177688791 It's a warning about the mark of the beast. I recommend you to take a look!

Squid Wit has never really felt like a person, a human... especially when it comes to gender. Continue to check out my comics to see where Squid Wit goes next!

(2B pencil on 180mm x 136mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

This is Tilly in her “Cozy Rosie” snuggle position on my chair. Made with Inktense pencils on hot press watercolor paper.

This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling. Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.

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R.I.P. Jeffrey Garcia May 3, 1975 - December 10, 2025 . Sheen Estèves ©️ (Jimmy Neutron Boy Genius) John A. Davis : voiced by Jeffrey Garcia . Rinaldo ©️ (Happy Feet & Happy Feet 2) George T. Miller : voiced by Jeffrey Garcia . Jesús Cristo ©️ (Clone High) Phil Lord, Christopher Miller, and Bill Lawrence : voiced by Jeffrey Garcia . Pip ©️ (Back at the Barnyard) Steve Oedekerk : voiced by Jeffrey Garcia . Tipa & Kipo ©️ (Rio & Rio 2) Carlos Saldanha : voiced by Jeffrey Garcia

A tango dance between two characters of mine. I really like these two and always love drawing them together. I have several more of them together and plan to do more in the future.

This coloured drawing I was working on for the past few days, wasn't very successful as I failed to properly bring the elements together. A few mistakes were made along the way, even if I managed to compensate for them quite a bit. But yea... There were a couple day's worth of journaling done on this one as I tried to make it a learning lesson.

Here is my redesign of the mighty character from 2023. Quite a change in color and layering. What do you guys think?

The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

It has been a while since I last felt that I had a good day. Got myself together to draw, and the first thing that came into mind was to continue this character design project. Tried a mix between shades of grey, pale blue, with a tint of purple. Overall, the practice in drawing bird anatomy is slowly getting there. But yea... This is not a Blue Jay... I might have went a little too blue.

So this beauty is an Alien Princess of her galaxy. But because its my WORLD there are multiple. Her crown are the number of planets within her realm. Each galaxy will have a limited amount of planets and life forms.

I have been up and down this week with my art. One day I love it and in a few days I start to hate it. Its a roller coaster I'm sick of. But inside myself I hold many universes that I try to explore with my characters. One might hold vampires, while the other might hold mermaids. While others are looking for peace, lost treasures or finding their way home.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.