This artwork is about an alien who is most comfortable in the clarity of thought that hands are his greatest friends. Magical energy surrounds them as they rejoice in the company of their hands.
Beaten mention through words that of a dark age reveal vines that bleed into the hearts of many. To present your reflective waves, to be ridiculed by voices lacking the complete understanding. In thoughts, a depression emerges.
My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." - The Hunger Games
Inktober Day1
I did this one to practice my pencil work and to improve on drawing realism. I used a reference photo from one of my favorite magazines, Inked, I removed the other tattoos on the model except for the beautiful rose tattoo.
Ballpoint pen; This is my version of John Tenniel's Alice, Tweedledee and Tweedledum in ballpoint pen, which is my favorite medium to use when i doodle ;)
Read an article that Gill's Ice Cream is closing, here's an old sketch in front of it at The Original Farmers Market. Los Angeles has a weird habit of destroying the real thing to put in a facsimile of the same thing, but without the tradition, charm or h
This is the the Icelandic parliament house in Reykjavik Iceland.
Usually I don´t draw houses, I am more into faces, but have always wanted to draw houses though and enjoy watching them. This house has always been one of my favourite.
(fineliner pen on the back of a 55mm x 85mm business card) I accidently shredded this piece. It was a nice little drawing on the back of a business card, so it was annoying to lose it.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
This coloured drawing I was working on for the past few days, wasn't very successful as I failed to properly bring the elements together. A few mistakes were made along the way, even if I managed to compensate for them quite a bit. But yea... There were a couple day's worth of journaling done on this one as I tried to make it a learning lesson.
Hey boos! This is just a little drawing of me at like, 7 maybe, and my old imaginary friend I named Mr. Friend. He was a very nice imaginary friend. :DDDD
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
