A vibrant exploration of color and line, this piece captures the ephemeral beauty of red plum blossoms in a textured, contemporary sketch style. Perfect for those who appreciate the intersection of traditional botanical themes and modern, expressive artistry.
The image features colorful, hand-drawn text with arrows labeled 'Arigato In' and 'Arigato Out'. Inspired by Ken Honda and the philosophy of Happy Money.
Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D
my moms best friend mandy died I call her nani because she was watching anime with a kid and they heard what in Japanese witch is nani and they called mandy nani and I just caught on to it what killed nani was cancer she loved Scotland things like clovers and green she never toke off her clover necklace she wears that thing even in death she was my godmother the sad part was that unlike the last time she got cancer she did not fight it this time she would be mad to know how sad I am about this
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
