(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
A beautiful line drawing depicts a person being hugged by his demons. He should be worried or scared, but he is happy because he accepts them—and they all look happy. The words “hug your demons” are written in a playful font below.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
