para el dia 9 de Marchusic he decidido aprovechar para el fin dibujar a carla x tennison en su versión animals... se lo están preguntando si me gusta este ship ❤️.
para el dia 21 de Marchusic, aunque no estamos en el mes de orgullo igual cada vez que escuche esta canción lo primero que se me viene a la cabeza es (Mr.) X qué le queda bien con dicha canción (sí se lo están preguntando si lo conocí gracias a esa escena de 31 minutos)
For the 17th of Marchusic, I couldn't think of what to do for this beautiful Meccano song so I made a small reference to the famous moon rabbit with COOKY
for the 16th of Marchusic, sometimes dragegs although he is a dragon mixel stronger than a volcano when he thinks of Delirilamy he becomes hot as a kettle of water (by the way I decided to redesign it because I felt that his original design did not look like a mixels)
For the 14th of Marchusic, I drew Policarpo, who sometimes doesn't have a good day, even though he has his friends. He remembers that his acquaintances in the ranking don't treat him like family
This is a happy accident. The evening sky was the accident that the paint bucket tool filled most of the sky. This was March of robots Month daily challenge.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
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