para el dia 9 de Marchusic he decidido aprovechar para el fin dibujar a carla x tennison en su versión animals... se lo están preguntando si me gusta este ship ❤️.
I think I should say that I do not speak English, and I use a translator...o(iДi)o ••• I've been gone a long time. And I'm with my original character! This is Vivien Shaw, nicknamed "the prophet." He can predict the future, travel through time, and many other things, he-he! (*´▽`)ノノ Well, what else can I say about him... Yes, perhaps there is nothing? Ah, good night to me!.. (*´﹀`*)
I haven't been here for a long time... I'm back with new art! I tried to draw it in the same ✨Chinese✨ style, ha-ha! I like it, I think it's not bad for the first time. o(〃^▽^〃)o This is my character (my friend and I share), but it seems to me that the translator translates his name incorrectly, so I'm not inserting it here. o(╥﹏╥) P.S.: smiles at his husband, he-he-he. (☞ ͡ ͡° ͜ ʖ ͡ ͡°)☞
I'm compiling simple slapdash 5 min. drawings of people + sharing their story.
Book 1 = story behind your name
If u wanna be drawn plz get in touch
10€ a drawing
Dave +351 969 534 520
https://artdavidmeehan.blogspot.com/p/7.html
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Model with Headphones Drawing Sketch Study by Oz Galeano
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Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
para el día 20 de Fruitecember hoy le toca a frutas marinas
para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas.
❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)
For the 20th of Fruitecember today is the turn of sea fruits
For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey