Here is one of 3 illustrations I made for customizable postcards, available for purchase at @cava.galeria
I wanted to use this green/bluish colour, plants, and a very curious human in this case.
What do you think the person is saying?
*The size is 15,5 cm by 11 cm
Limited number of postcards
What's more comforting than a summer day with butterflies flitting and bumblebees tumbling amonst the flowers in the meadow? My husband felt that blue was most comforting for him. Me, I liked the salmon. The mandala is drawn in Spirality...which takes the designated "wedge" and repeats it around the circle. Colored in Photoshop (given there is a 20 min. time given for this challenge---otherwise, I would have colored it by hand).
From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
This is the first prompt for Inktober 2020 (FISH). I used a Pigma micron .005 pen to do the black and white drawing. The colored version is tinted with Photoshop. I might print this out and try some other color combinations for fun.
The source reference image was from an impromptu photo shoot I did several years ago. The available light in the room was magical and the model was just sitting there meditating.
Pencil, Charcoal Pencil, Pastel Pencils on 9” x 12” Strathmore Archival Sketchbook Paper.
This is one of my artworks in high school. I will regularly post my previous artworks and some new daily artworks. If you like my artworks, follow my Instagram account the.rainmaker_
While Venice has surrendered itself to unadulterated tourism, Lido remains a tiny bastion of slow life. Lounging on the piers, biking on empty roads, sitting for hours in cafes...
Part of a series of black and white drawings on birch plywood. I took some liberties with horns and the look of the face. Don't consider this a realistic bison.
