Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
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para el día 20 de Fruitecember hoy le toca a frutas marinas
para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas.
❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)
For the 20th of Fruitecember today is the turn of sea fruits
For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
para el día 12 de Fruitecember hoy le toca a pistacho
para este día decidí dibujar a grifita quién está comiendo un frasco lleno de pistachos ya que es un poco adicta a comerlos.
^____^ ꧞ ૮ ∩ˊ ᵔ ˋ∩ ྀིྀིა ૮っ. ᴗ͈ ྀིა
For the 12th of Fruitecember today is pistachio's turn
For this day I decided to draw Grifita who is eating a jar full of pistachios since she is a bit addicted to eating them..
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
I've always found it so Satisfying to draw Dragons! I love dragons, whether it's for a personal project or a clean wok, Dragons are the subject I enjoy the most and love to explore in so many ways ♥
This was an illustration for a Traditional Action Gamepad with its big buttons, this work is so old, and I improved a lot after it, but its simplicity remains lovely to me and maybe I will remake it with my improvement level right now and make a comparison.
Sigmund Freud (1856–1939)
“I cannot imagine life without work as really comfortable,” Freud wrote to a friend in 1910. With his wife, Martha, to efficiently manage the household—she laid out Freud’s clothes, chose his handkerchiefs, and even put toothpaste on his toothbrush—the founder of psychoanalysis was able to maintain a single-minded devotion to his work throughout his long career.
Freud’s long workdays were mitigated by two luxuries. First, there were his beloved cigars, which he smoked continually, going through as many as twenty a day from his mid-twenties until near the end of his life, despite several warnings from doctors and the increasingly dire health problems that dogged him throughout his later years. (When his seventeen-year-old nephew once refused a cigarette, Freud told him,
From Daily rituals by Mason Currey
#dailyrituals #inktober #sigmundFreud @masoncurrey
para el día 9 de Inktober hoy toca a sol
para este día se me ocurrió dibujar a tsunoplet quién está encima de una roca tomando un poco de sol ☀️.
(。◕ ∀ ◕｡)(▽◕ ᴥ ◕▽)(。◕ ∀ ◕｡)(▽◕ ᴥ ◕▽)
For the 9th day of Inktober today is the day of the sun
For this day I thought of drawing Tsunoplet who is on a rock getting some sun ☀️
[Hades (the game) 2024] - This would be considered fanart if I was a fan but I have never played the game. I realize there is no Hades 3, this is just for pretend-fun. Since I don't know the story and characters of the game I decided to make up three of my own. [Sketched & inked everything using an ipad pro & magma software, drawn live, no ai.]
Model Portrait Art by Oz Galeano
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This is a pumpkin carving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged, to compete for the prize. The size of the average pumpkin is from 200 to 400 pounds, and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021
my memory is my recent character i made so far inspired by serial experiment lain. my memory is partially self projection. a computer scientist who lost a student he was close with and saw them as their own spent 20 years creating a new project to commemorate his former student, emory. after 20 years, the project was a success, a humanoid machine has emory's memories stored in her and everything feels like deja vu for my memory. a confused and curious my memory must learn to function in society as a robot.
