I love how these nesting dolls came out. I'm also into the Dakota Fanning inspired piece on the left. Dakota's character in The Alienist is a lot of fun. I'm glad she seems to have come out of child acting fairly unscathed. We don't hear a lot of stories of her gallavanting around LA, thieving & putting substances up her schnoz. That's a pleasant change of pace for a celebrity.
13 young, Indian adults, struggling with mental health issues, explained what colour represented her/his fear and which represented hope/happiness. The left half of the face has all the colours associated with fear, while the right shows hope/happiness.
A tribute to Wassily Kandinsky. Painters do lots of doodling. Kandinsky played around with certain shapes again and again, so I thought I would too. I took shapes from lots of his paintings and moulded them into a doodle. Kandinksy was very meticulous wit
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Ceasefire Now drawings = 15€ :)
Profits from the sale of my Ceasefiore Now art will help CHOCAArts buy art material + link up for drawing sessions with a Palestinian community group. Info on CHOCAArts blog and / or phone +351 969 534 520
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My painting professor drew this diagram on the board and suggested that it is a diagram for a painting. "Begin with large areas, covering the canvas with general colors and shapes. Refine the shapes and begin adding details. Refine the details and work with smaller brushes. When you are adding marks that your viewers would not notice, be done." There is more, but that is enough to ponder for now.
This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
Capturing the spaces in between and amplifying them with a play on exposure and contrast to bring forth the beauty I see within the layers. This particular play is a flower I saved from a very special event I attended. I then dried the petals of this beauty. These special petals make their way to various projects, including oil and acrylic paintings and resin on canvas. More to come :)
