Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
A 4x6" colour sketch of Sgwyd Gwladys in preparation for a much larger piece. Sgwyd Gwladys is a beautiful waterfall - one of many on the Neath 'Waterfall Country' walking route starting in Pontneddfechan.
I think It's none other than my heart that covers one's eyes.
To see, hear, think, and speak as the mind pleases. Mistakes can happen, and some people focus only on themselves and say things they shouldn't say to someone.
When someone doesn't live blind anymore and one day can see the real world with one's own eyes, will feel deceived and feel anger and futility etc.
I wanted to say that if look at the world with the eyes of heart, Can't see the reality.
Fairly recently I was "commissioned" to paint a picture of my cousin and grandmother. I'm pretty happy with how it turned out, but painting this was a bit of a challenge. There were definitely moments where I stopped painting and completely hated how it looked/became frustrated with myself, and I wouldn't work on it for days. I felt an odd pressure attached to making this... or maybe I'm crazy. 16x20, acrylic.
The late great King Quinoa. During the lockdown I'm doing a series of cat portraits for Gatti di Roma in Rome. I've auctioned this and all proceeds went to the charity.
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
I feel like my landscapes have very traditional colors so i tried to make these look bright and exaggerated but still hold the same base color. Let me know what you think.
