Like I said getting a good likeness of someone in a portrait is a very tenuous grasp...I start out well...looks like them...hey I captured that...just a little off...Oh Crap! Still, I keep trying.
Pencil on Paper. Doing portraits is difficult for me...I never seem to be able to capture a persons likeness in a drawing, however if that person is wearing a helmet...
Apolonia Cacadu (her family is calling her: Polly) is a working girl. Very hard working. During the day, she works part time in three different places, and in the evenings she professionally swings on a swing above the bar counter, in the "Under parrots" pub. Because of this constant running around the city, there is little time for her to eat, and often her daily meal is just a handful of crackers (which she loves) and a few green olives with pepper. That’s why her weight is rather featherlike. She dreams about a trip to the Amazon rainforest and spreading her wings as a dancer (she’s great at dance hall and twerking).
It’s my first digital portrait! I’m still figuring things out, so please, PLEASE send advice and criticism this way! I’ve always been fascinated with faces and portraits, and experimenting with colors and brushes have always been a blast! So please help!!!
Eve is a continuation on my series of portraits. This piece represents my maturing technique and style as I begin to experiment with creamy consistencies. The painting displayed my ability to capture facial expressions.
My trip to Paris, France influenced my painting style. I was struck by the realism and drama depicted in various compositions, but also the lack of diversity. This piece is named "Eve" questioning whether the holy subjects depicted in European art were, in fact, part of a different race altogether.
