A3 format, acrylic, mixed technique
We sat around the campfire, talked about everything a bit when someone asked:
- Can you tell us your thoughts about death?
Old Bone is pulled pipe from the backpack, filled it with tobacco and lit. We have been waiting patiently for the response of this unusual being, deep age, and great living experience.
- Everyone would like to know the truth about death, whether it is the full end of life or a new beginning, " said Old Bone - It is wiser to ask questions about life, the purpose of life, and keeping the spark. Truly, few are looking for the truth about life. I believe that with only the complete knowledge of life, one can perceive what is happening after death.-
- How to explain the messages of the dead through the media, learning religions about reincarnation, heaven, and hell, eternal life, testimonies of survivors of clinical death?
- Fraud and delusions, speculation - calmly replied Old Bone - You must know one thing: there are doors between life and death, The Door Keeper will never let the living know what happens after death. The secret of death only he knows - and that's enough. I think life can only survive this way.
Remake : Francis Bacon – autoportrait
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Mermay Day 19: Royal
all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us.
shes holding the scepter of Poseidon and the will of Triton.
they cover the fins of royals because only the gods should see their beauty.
some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.
This painting was developed from a photo shoot at Presquile Provincial Park in Ontario, Canada. The bobcats were designed and posed by myself. The details of the fur were from research.
I'm working on a sketchbook for the Brooklyn Sketchbook Project (a library of art), and this is the first drawing I did for it. Little orange cat carrying a crystal with purpose.
I was supposed to be doing homework yesterday. I did not. Instead I drew fan art of random thought bunnies me and my friend wandered through. So...enjoy. Floofs cuddling and being grumpy. Medium: Procreate on iPad. Time: I have no idea, wasn't paying attention.
Beneath the wonderful realms of expression compose a vibrancy in relaxed waves into the dreams of limbs that enchant the viewers. Ability to portray kingdom of soothing pleasantness, yet a loud inspirational spirit that seems to flow within us all. By these imprints on eyes to the mind, what does one see here?
Darkness filled with suicidal motions, a death of a little girl, tears in poverty, and madness further. What shivers await? Alien life forms compose a last symphony.
To be taken away, for with sickness unveil a composed struggle within this life. Lad take creature into the hills of forest brew in hopes of a better life. A last glimpse of her, then, nothing.
Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.
To become selfish in manners that depict a lack of understanding, a horrid brooding fire contact fractured arms completely. Harm composed by the ashes that follow. A tundra voyage in need.
Deep thoughts compose these kinds of oddity fully. Severed ways of a child begin darkness, but these waves of good manner determine a decent stride to come. A belief in harmony to bloom soon.
Damaged creature that state removal of these motions further. Compose darkness on these travels of dismay. Not Kin nor friends aware, silent departure a motion delightful.
Featured removal in this valley of roaming fears, the truth in dreams haunt this region. Compose mind, down the holes of madness present themselves. Tears and insanity follow his pleasure.
A creature happily roaming lands to question and feel the wonder in realms delightful. Eyes through trees, feathered expressiobs, loud poetic verses. Wood realms unveil an interesting reality here.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
