pose

somewhat abandoned short comic thingy ... it was supposed to go like : Orki and Chubbs find things (similar to Fallout 4), Chubbs finds Captain Super Guy or whatever and he's in mint condition and it gives plus 3 to all primary stats , but yeah , something like that

My first serious project - logo and mascot for Apapers.com service. Done in cold blue pallet. The main character - letter A is supposed to bring more life and a sense of adventure and curiosity to the serious service and give customers, especially students, a sense of empathy and general good spirit about Apapers

The 2nd Sorrowful Mystery: The Scourging at the Pillar. This was kinda painful to draw. The reality of Man, created originally so innocent, corrupted to the point of hurting a man God. Lord have mercy. 1. Jesus is taken before the High Priest where He is falsely accused, buffeted and insulted. 2. The Jewish leaders take Jesus before Pilate, for only he can impose the death penalty. 3. The robber, Barabbas, is preferred to Jesus. 4. Pilate can “find no cause in Him”, yet to appease the Jews, he orders Jesus to be scourged. 5. The scourge is made of leather thongs to which are attached small sharp bones. 6. Jesus is bound to a pillar and cruelly scourged until His whole body is covered with deep wounds. 7. The Lamb of God offers His suffering for the sins of mankind. 8. Jesus suffers so much in His sacred flesh to satisfy, especially, for sins of the flesh. 9. The prophecy of Isaiah is fulfilled: “He was wounded for our iniquities, He was bruised for our sins.” 10. Father, by the merits of Jesus in this painful scourging, have mercy on us and on the whole world. Spiritual Fruit: Purity

I remember that I was angry when I drew this fella last year all because I wanted to stay home before new years so it could be vent art i guess?not certain why I even wrote dreaded when it was supposed to be "damn prince"oh well

A steam titan from the elder age, long forgotten. But this mammoth of gears and levers has not fogotten it's purpose. It delves through stone, and rock and mineral and earth. It hasn't stopped since the master's last order. The very nature of this machine is loyalty itself. Sometimes the scavengers follow it, picking up the remains it leaves behind in its search. What is it searching for? The center of the Earth? Nirvana? Hell for us ? Many a strange thing lay in the world of Nornwan. Was it always so? Mayhaps... But to find the answers to these questions, we must do as this steam engine, we forge onward. March on, Untitled Heroes. We are untitled. No one can stop us. https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber #cartoons #cartoonart #cartooning #cartoony #nornwan #spiders #cartoonist #inspiring #colors #untitledheroes #art #artoftheday #original #fantasy #originalcharacter #awesome #artwork #mixmedia #newcartoon #nornwan #supercool #story #storytime #indie #wasteland #apocalypse #steampunk #steampunkstyle #steampunkdesign

They were supposed to be clouds but look more like a witch i think

hey steve are we supposed to call somebody when that bin is full or what

The elegance of dancing poses are breathtaking and they are quite difficult to draw, but I had so much fun to draw this. I hope you guys like it!

Legends and folklore is huge in Game of Thrones book series, one in particular is the legend of ‘Azor Ahai’, the warrior who drove the darkness away with his sword Lightbringer. How he forged the sword to bring the end in darkness was by plunging it into his wife’s heart. her soul and the hot blade created Lightbringer. A new ‘Azor Ahai’ was supposed to come again and many believe it to be either Daenerys Targaryen or Jon Snow. - I think end the end it’s Jon Snow if the prophecies were interpreted this way- the ‘long night’ being Daenerys mad reign. A more detailed explanation can be found on distractify.com!

Markers on A3 paper, 20-minute pose

In 2017, I tried the Inktober challenge and failed miserably. I made two drawings, no inking. This one was supposed to illustrate the word "swift" for the first day, but it fit better with the word of the 11th day "run". Anyway, I really ran that day and I drew that with my sore muscles and my body filled with pain. The doodle in my sketchbook was messy, so I redraw it.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Line action figures

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Mermay Day 19: Royal all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us. shes holding the scepter of Poseidon and the will of Triton. they cover the fins of royals because only the gods should see their beauty. some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.

Here's a portrait of Yuko Shimizu that I'm working on for an IlloStories project (check the group out on Facebook). I took her pose from one of her photographs, then used colours, patterns and textures that were inspired by her artworks. This could be a front page for a book about her, or maybe a page for when her story reaches this point!

Classic me doodle with pens and gold marker Supposed to be turned on the side tho

Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.

To become selfish in manners that depict a lack of understanding, a horrid brooding fire contact fractured arms completely. Harm composed by the ashes that follow. A tundra voyage in need.

Featured removal in this valley of roaming fears, the truth in dreams haunt this region. Compose mind, down the holes of madness present themselves. Tears and insanity follow his pleasure.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

(2B pencil on a 125mm x 75mm notecard) Another juxtaposed artwork that shows an everyday phrase used against a completely out of context comic book frame.