One of the other bits of art I'll sometimes do is collage building. I admit to recycling bits of everyday things from candy wrappers and ramen noodles lids to packaging information for later use. I do use a bit of my own artwork but that's not really the focal point and therefore, it's being excluded from tags.
I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer.
In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle.
Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy.
Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense.
I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective.
Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days.
Cheers, fam~
This picture, among my many others, was created by following the doodle lines made in a minute. The figure and composition was FOUND from the loops in between... without alterations. https://youtu.be/xOa42BwxOx4
Since the dawn of l’automatisme, the floating shapes of Miro and Klee were praised as musical suggestions. Unlike the Masters, my groundwork of flowing lines speaks melody and rhythm from a musical score perspective. The flow of lines ties the art elements into a composition. It also reflects a concept from Chinese paintings, which says, ` as a line moves into the invisible, the idea continues.’
