Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.
Haven't posted for a while, I've been crazy busy but also feeling pretty flat to be honest so I've been drawing weird little floppy cats to cheer myself up a bit. Today one of them made it onto the back of my drawing board. Acrylic paint and sharpie markers :)
Watercolor of a bunch of grapes after a botanical sketch by the artist Troncy.
This painting was made with gouache on cardboard 400 gr / m² with a height of 32 cm and a width of 24 cm.
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
Andy Dooley teaches to "enjoy the meantime" when struggling in life or working toward a goal. It's extremely helpful! So today I'm making a point to enjoy the little flowers in my yard.
Pictures on demand - moving, immovable and moving objects of view by SUXIBU - frolicking in the gray area of what may not seem so important, but can sometimes become significant and colorful. The selection of motifs and themes are subject to individual assumptions, preferences and spontaneous ideas. get enough: www.suxibu.de
These figures found must cast some meanings from my subconscious. They simply came and as a whole composition! I uploaded a full description on youtube giving them individual names, mostly ghostly. This piece contains a spooky atmosphere stronger than the others and remains one of my favorites, probably because better works come effortless.
