street

Inktober Prompt: Sleep. Shaeffer Tuckaway fountain pen, Hero blue black ink

An idea I had, to couple semi-realistic versions of the adult Mario characters with the Street Fighter 3rd Strike character select screen.

I was scared of cows when I was small and felt nothing special after I grew up, but I realized how they are cute when I traveled in Laos. I was so surprised to see cows were walking freely without any human on a quiet street in the outskirts of the city. A calf one of them looked us curiously but avoided eye contact shyly. It was really cute

COLORFUL Peinture acrylique, Poscas, encre de chine Toile en coton 30x30 cm Œuvre originale et unique Signée

A beautiful house in the residential area of Jerusalem, drawn from across the street, and rendered,of course, in coffee.

sipping coffee in jerusalem, draw the lamp post in front of me, my credit goes to the napkin

Nobody puts baby in the corner Print by Barrie J Davies 2020 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A2 size 42cm x 59.4cm

Another commission done for my friend - her parent's house is nestled in a small suburb and surrounded by so many trees. This neighborhood has so many beautiful homes.

Mimi, the street dog is trying to find food in the lock down.

A black and white test featuring my main character on Street FIghter!

power outage but they're working on it right across the street

This is a drawing from a couple of years ago. The Barguest is a ghost story that originated in Yorkshire and is said to have been sighted in Whitby... The Barguest is a ghostly dog that is said to wonder the North York Moors and sometimes said to wonder about the streets of Whitby...

Using newspaper print paper and crayons to create this lovely pattern of bricks and London street rubbings. Try it!

A drawing of a scenic street in the beautiful city of Visby, a UNESCO World Heritage Site.

Pen and paper

Drawn in a music notebook I bought before the quarantine. I miss seeing people walking down my street.

This art piece was highly inspired by graffiti and street art. It’s on of my favourite creations.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

This head is from a broken sculpture I found in A church of Rome when I was exploring the city, you can see a lot of these sculpture on the streets when you look around.

It’s a very tranquil street. Also, an asylum behind the white wall. And a small and very quick sketch as well.

An urban sketch I did earlier this year. Pencil and white ink on coloured A4

Door decoration Halloween-Día de Muertos. - Acrylic paint, markers, charcoal and oil pastels on paper (80 x 190 cm).

Disco Dot Tea Print by Barrie J Davies 2019 - unframed screen print on paper (hand finished) edition of 1/1 - A1 size 42cm x 59.4cm.

Puerta para Halloween-Día de Muertos. - Pintura acrílica, marcadores, carboncillo y pasteles de óleo sobre papel kraft (80 x 190 cm).

Disco Dot Print by Barrie J Davies 2019 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A3 size 29cm x 42cm.