A sideways version of one of my favorite of my watercolor paintings. The print is available on products on Redbubble, Society6, Zazzle, and Threadless. Try this link for access to all sites: https://linktr.ee/okhismakingart
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D
Have you noticed how cool the book covers look right now? Without catchy design, it’s quite difficult to attract an audience. But animated covers are on the new level
This is the second edition of my snake drawing collection, the first one was titled "slipped secrets" and addressed the conveyance of information between certain parties that should not have been shared. This artwork portrays a sense of love and mutual agreement/understanding using snakes as the conceptual medium through which the action and emotion is portrayed
Soooo.... there's Keeper of the Lost Cities, and there's Star Wars... but what if you combine them? This is the one and only O-Biana Kenobi (Obi-Wan Kenobi and Biana Vacker). I'm actually really, really proud of this, so if you don't mind liking it, I would really appreciate it :) I plan on doing more things like this in the future, such as Emperor Palpitam (Tam Song and Emperor Palpatine) and Darth Vacker (Darth Vader and Fitz Vacker). If you haven't seen Star Wars GO BINGE-WATCH THEM!!! If you haven't read KotLC GO READ THEM ALL!!! I myself am only on 6/8.5 books in that series... anyway I hope you like this... because I worked really, really hard on it.
2021, pandemic is still upon us. My memory is fuzzy but it’s wreaching the one year mark when I had to tell a patient for the first time in my career that they were COVID positive. It was also the first documented COVID diagnosis in our clinic system.
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
There is a purpose in the rope being tied loosely. The individual has the liberty to free themselves but remains enslaved by their own choice. Many times we know exactly what to do, but refuse to do just that. Sometimes we want freedom, but we use our liberty to remained chained to what we hate.
This is my "Plant Abstract" doodle as a fleece blanket (available on Society6 and Threadless). All my art shops are at this link: https://linktr.ee/okhismakingart
From "A Cabinet of Byzantine Curiosities" by Anthony Kaldellis
Divorce.
By law, a man could ask for divorce if his wife had questioned his masculine honour - say, through infidelity or immoral behavior; caused him bodily harm by attempts on his live through magic or physical violence; or jeopardized his attempts to procreate - for example, through infidelity or abortion. He could also demand divorce if his wife was incapable of fulfilling her conjugal duties due to an incurable illness - say, madness or leprosy. Madness was sometimes distinguished from demonic possession, which did not constitute grounds for divorce.
Attachments area
An abstract and floral doodle of mine that is available as a print on products on Redbubble, Society6, Zazzle, and Threadless. Try this link for access to all: https://linktr.ee/okhismakingart
I've begun cutting apart my old sketchbooks and glueing them back together. The results of which are sometimes more interesting than the old drawings themselves. This saint is my favorite of my most recent bunch. She's the prettiest Christmas tree of all.
Doodling has become an essential part of new beginnings in my life. The blank page is encouraging unplanned art that surprises me and pushes me in new directions. This piece speaks to me of fresh starts and flowing into the future full of change and magical possibilities.
I liked her so much I drew her again, but I learned some things about her. (Damn those hands, gotta work on them.) Concept art
Name: Carina
Age: ???
Race: Demon (Father is a demon, mother human)
Ethnicity: Her mother was a young Italian woman who was tricked into falling in love with a demon.
Status: Sorceress
Abilities: She wields a staff that consumes souls of the living. She uses those souls to feed her power.
Extra (for now): The globe on her staff is an ancient artifact in which she had to prove her will and strength to achieve it. The artifact draws out the souls of her victims. But before it does, it puts them in a trance like state to keep them immobilized.
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
