I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
In late 2018, I started trying to be a bit more playful with art and experiment. This was a quick watercolour sketch I did. I'd like to revisit this one as a full watercolour painting.
When I was a child, whenever I was alone or lonely, I would fantasize about having super powers and being able to fly out into the universe and do anything. In my own world, I will always be the protagonist in my own story, guarding the lights of thousands of homes, world peace.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
I got a pack of loose watercolour paper from eBay in 2018. The side this was painted on had a really strange pitted texture on it. I thought it might be interesting but I didn't like the way the paint gathered in the pits. I just use it for sketching and testing colours these days.
Daler Rowney and Winsor Newton do a watercolour called Sepia. I absolutely love the tone of the Rowney one and had a play with it here. I'd really like to do a proper sepia painting some day.
My first foray into oil paints in 2017. This one is inspired by the view from the mountain pass (a road featured several times on Top Gear). Being new to the medium, I had a lot to learn about how it worked. I'm still not sure whether I'm happy with it or not, but I think it would be worth doing again now a few years down the line.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
Every version of Elizabeth so far. Which one is your favorite? Personally, I like the prototype, V1, and advanced versions the most. Drawn with FireAlpaca.
In 2017, I had a short run of finishing acrylic paintings after not painting for many years. Here I was pushing towards a more realistic style despite the very cheap and thin paints.
My first foray into acrylics from 2017. At the time, I wasn't that happy with it, but it sold within a day of posting it on social media. Looking at it now, I like how loose it was.
Even though I drew these two with the other three of the Liz Cat's animatronics, they somehow ended up really bad. That's why I didn't put them on the stage with the first three. Nevertheless, they are still part of the 'first batch', which is what I'll call this first iteration of the Liz Cat's animatronics. Drawn with FireAlpaca.
I think I've finally come up with a design for the Altitone crew that is actually appealing to children. All the previous designs had always looked like nightmares: no eyes, sharp teeth, faceplates, and most of all; they were all white --- and not all cats, rabbits, and bears are white. So, I needed to make them resemble animals a little more. And I did! I'm certainly going to keep revising these designs, though. But for now, I introduce you to the V1 Liz Cat's band! This restaurant chain will probably be the one that I'd make a FNaF fangame out of. Drawn with FireAlpaca.
When the heart’s hurting,
their smile’s comforting,
as they nurture from my giving
and remember this soul,relieving
me of my impending scars
and to recover what’s ours.
-elixir-
