A very random doodle I did for warm-up while working on commissions. I don't think it helped much other than working with little line work and stark lighting.
(B grade pencil on 125mm x 75mm notecard) Another dreamscape image. With this one, I decided to pick out points of detail whilst having the rest shaded in the background. It works well, even with minimum elements highlighted.
This is my character Shu. She is from the Ming Dynasty period 1368–1644 (I think). Created with White Knights Watercolors, handmade pearlescent watercolors (by Rusee on etsy), and a bit of pencil (mainly painted over or erased).
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
This is Lianhua. She is from the Tang Dynasty in the Year 700 Ad. She is wearing a type of hanfu (traditional Chinese dress) called a Qixiong Ruqun. If anyone knows more on Hanfu and Chinese historical fashion, let me know if I I got the the time period right or if the styles are from different time periods. I did alot of research, but I still have alot to learn. Created with Kuretake Gansai Tambi Watercolors.
In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
Another charcoal on cartridge portrait. The fabulous Evan Peters acting as Tate Langdon in the first season of the hit television series, American Horror Story.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
A few years ago, I noticed a new habit of doodling faerie folks who seemed to exude off of the page. They look very doodle-y but they have ‘presence’, at the same time. I don’t know if that comes across to anyone else, but it does for me so I find them interesting. They each have part of a story that they want me to tell ... Here are five of many.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
