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trans

KAYE J. FOSTER KAYE J. FOSTER
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MY SAFFRON GYPSY DOLL

I BOUGHT A VERY PLAIN TALL/SLIM WOODEN DOLL AND TRANSFORMED HER .

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Sabina Hahn Sabina Hahn
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A frog and a baby

"Speak roughly to your little boy, And beat him when he sneezes; He only does it to annoy, Because he knows it teases." CHORUS (in which the cook and the baby joined): " Wow! wow! wow!" - Alice in wonderland by Lewis Carroll

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Andrea Andrea
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Wanhoop

Wanhoop (Eng: despair) is a work I made last August/September. It's clay which was baked and afterwards painted with acryl and coated with some transparant nailpolish. To me it symbolises the depth of my depression. Despair.

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Wouter Wouter
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Robot family

An excercise in negative painting with my set of bister inks. I wasn't completely happy with the results - the bister ink was not as transparent as i expected it to be.

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Terra Seaman Terra Seaman
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Blair
1/3

I live in a very small town, and one of my students is transgender. Her courage despite her struggles has inspired me. The lyrics in the second image are actually from a song she has written.

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Sabina Hahn Sabina Hahn
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River giant.

My Tuesdays got so much better ever since I learned of #longhairedgiantreppingyourtown #transmundanetuesdays. Thanks, @carsonellis. 1. Is a giant 2. Has very long hair 3. Wearing a shirt with your town’s name on it. #whydpisoundlikepropagandaradio #sketchbook #giant #ink #mountain #hairriver #daulydraeung #womenwhodraw

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Valériane Duvivier Valériane Duvivier
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Inktober 2019: 2# MINDLESS

Inktober day 2 that I forgot to upload here yesterday, sorry! The word was: Mindless. I didn't have any idea after translating the word in French, so I went the literal way. sunday (little girl) and Mojo (little doll) are the characters of my webcomic, which, in case the zombie wasn't enough of a clue, is NOT for everyone. https://herebevoodoo.com

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JaRobyn Singletary JaRobyn Singletary
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Majestic

It is a surreal yet transcendent experience when massive creatures remind us just how small we really are.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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erik cheung erik cheung
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Snail

transferred to glass!

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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erik cheung erik cheung
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Echoes

This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.

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Steph Steph
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Watercolor Sketchbook Spread
1/4

My 100 day project has basically switched over from digital drawings to watercolor. This is a spread in my sketchbook from the transition. Took a few days but, I am starting to feel like myself when using the medium again. Just needed to reactivate some muscle memory.

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Bre Clemons Bre Clemons
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Rebirth

Beautiful African goddess relaxing under a tree blooming and glowing with gifts of transformation and growth

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Tim peterson Tim peterson
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“Chevy Desert Transport”

Sketch on paper to IPad,

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Lúcia Martins Lúcia Martins
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Upcoming transformation

The beast within takes control. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Lone Stag Lone Stag
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Pierre-Emerick Aubameyang

Progression 2 of 6. Spent some time here in the hair, beard, and eye. The transition in the hair from light to dark was done mainly by not adding in graphite in heavy amounts and using the pencil eraser to define the hair.

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Stephanie Palmer Stephanie Palmer
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Mysc

Just playing around with her design. Her face has a habit of changing and I think it may have something to do with the different style - I don't translate it very well.

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Jennifer Mallory-Welch Jennifer Mallory-Welch
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Primary Transportation

8 x 20 acrylic

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Monica Engeler Monica Engeler
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On The Road

Paper drawing

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Melissa R Cooper Melissa R Cooper
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Lost in translation

Doodling while someone was yelling at me...

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Bob Ornstein Bob Ornstein
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Lost In Translation

Original Ink drawing, 12" x 18" on 140 lb. watercolor paper

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Joseph T. Yawus (jojo) Joseph T. Yawus (jojo)
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Transformation

Sometime last year when I went to my village after a while, some of the buildings I saw were now modern, they no more use mud bricks to build. What I saw was like the mud houses are giving way for the sky scrapers.

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Viktor Wilde Viktor Wilde
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Ridicule Of A Transsexual

Beaten mention through words that of a dark age reveal vines that bleed into the hearts of many. To present your reflective waves, to be ridiculed by voices lacking the complete understanding. In thoughts, a depression emerges.

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Val Myburgh Val Myburgh
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Algemene Handlebars - lost in translation

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Jamila Jones Jamila Jones
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150 Hurdles, Start-Finish (Nov. 2015)

The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition? My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.” I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them. Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com

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Kari Lynn Burk Kari Lynn Burk
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food truck (translated-bread machine)

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L K M L K M
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From Here to There

Photo transfer- pencil, acrylic paint

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Joulu Joulu
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Spiritual transformation

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