Maybe being a cat-boy is cool, but annoying.. So they had to deal with him another way. DONT WORRY....KINGS I MEAN LEOS ALIVE..I THINK?? (psst guys is he alive,.........) (oh oh okay) YEAH HES GOOD JUST A BIT, UHM DEAD I MEAN ALIVE YEAH...!!! (guys run they know)
Leo..wasnt the best at taking pictures for his school page. But at least the cat ones look good, right? No he just stole them from one of his favorite games. Dammit Leo! (still tired and sleepy..honk mimimimimimi but i have no clue what to draw next honsetly. IM THINKING OF STUFF I THINK, THE SIDE PHOTOS ARE CATTAIL FROM PLANTS VZ ZOMBIES. I LIKE CATTAIL!!!!) (just kill me already...............(again))
I made a Zine called "Famous Bottoms" - it's a quiz with 12 watercolour paintings of famous bottoms (painted by me). This one is #8 and I assume most people will recognise it! But how many of the others would you know? If you'd like a copy of the Zine, you can buy it at https://LindsayBakerArt.square.site for $AU8.00 plus shipping :)
The idea was to create a nice scene of the sun shining down on a house. The skies are showing off shades of blue, and brown, and yellow. I love the rustic style and I feel like I accomplished that look in this painting.
Cutting Crew is a humanoid colony Stand with the ability to switch the height and width of objects. Consisting of 12 units clad in jumpsuits, they each come equipped with a jetpack and handheld blaster. The blaster is utilized in swapping the height and width of objects, with a minimum of 1 blaster per object. If multiple blasters are used above the minimum amount, the swap process is sped up.
A JoJo Stand concept that I had saved from a generator and finally got around to drawing.
Generator used: https://perchance.org/dh6ennxocq
Some people do not even begin to comprehend the meaning of the words "irony" or "hypocrisy."
Let's try hard to not be those people, okay? Trust me, you have faults, too. Same as everybody.
Perspective is largely subjective~
(I drew this with a sharpie. No pencilwork. I don't want to color it.)
We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake.
We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being.
Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety.
Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places.
We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues.
We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone.
We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.
Imagine a bathtub
Full of soaps, salts, and oils
Of many kinds
How they would interact
But some would settle
And some would not mix
The water would be influenced
Reality is full of so many factors
Some of which interact directly
Some of which interact indirectly
Forming many layers
Suppose that 'meaning' is a faint word scribbled on a wall in a dark room. The words that we use are often barriers that separate, then, our 'comprehension' from 'meaning.'
Let us suppose then that the light of the intention of a speaker is obscured by a 'word.' The angle and setup of that intention then, along with the angle and setup of the comprehension of the listener, can distort or disguise the true meaning of what the speaker is saying.
Of course, the angle and setup of these things can vary greatly, just as easily as the shadows that cover 'meaning' can vary. It would seem best, then, with this in mind, to communicate as transparently as possible and to avoid and/or to detect deceit whenever possible. Dishonesty and misdirection, whether deliberate or otherwise, in the speaker or in the listener, always risk shrouding 'meaning.'
When communicating earnestly, distraction can be dangerous. Shrewdness is recommended.
"much of the to-do of life is like building sand castles on the beach. we build them up, and then we take them down. OR we build them up, and the waves of life and time take them down.
life returns us to our humble origins."
Drawing done on A6 sketch paper 90 g/m2 using Uni pin fineliners, pen ink and green crayon. Started drawing pointy corners and areas to fill later and along the way I got inspired to do something similar to the ring of Green Lantern from DC. A friend of mine said the drawing makes her think of energy and fury.
It was unclear whether there were flames or what was going on tbh. It appears that she sits on a horse with a smile. There may be others in her party. Be warned.
