I started sketching a scene and thought "I'm not that good at drawing trees", so rather than do an entire scene, I thought I'd have a go at a single tree as an exercise. In hindsight I used too thick a pen. Time to break out the 0.1 pens for future sketches.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
I was going to do a full landscape sketch of the ascent to Cadair Idris, but I kind of chickened out. Still, I quite like the simplicity of this little sketch.
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
Looking down on the Afon Mellte from its rocky riverbank in Neath's 'Waterfall Country'. I was a little perturbed by the complexity of this scene at first, but soon got into the flow of it. I love doing these wild nature scenes. Uniball Eye Micro on 6x8" sketchbook.
I passed this old workshop numerous times going from Carmarthen to Drefach-Felindre. Eventually I parked up and took a photo so I could sketch it. I love old buildings like this which seem to be everywhere here in Wales.
My first foray into oil paints in 2017. This one is inspired by the view from the mountain pass (a road featured several times on Top Gear). Being new to the medium, I had a lot to learn about how it worked. I'm still not sure whether I'm happy with it or not, but I think it would be worth doing again now a few years down the line.
Celebrating the Ghosts of Christmas prompts with Mari Lwyd, a southern wales tradition of placing a horse's skull on a pole and going to door singing to get in
