Tada! An art piece of @xavtheidiot 's character, Zane! Hope you like it! I did the cheeks in my own kind of style, as well as the hair. Hope you don't mind. Kept her in the original outfit, too. The reason it took so long is because I am both plagued with school and an ongoing existential crisis.
While waiting in line at a convention to meet Erika Harlacher-Stone (the voice of Violet Evergarden), I sketched this from a reference. Pretty cool moment to see her reaction when I handed it to her, and I'm happy to report that she is indeed a lovely person.
Orangutan sketch (Original Dimensions: 3000x3000px x 300DPI) to try out my new iPad Air M2 13 using both iArtbook Pro and Artstudio Pro artist apps. This iPad is awesome for power and quickness.
Here are three main facts about adult male orangutans:
1. **Physical Characteristics**: Adult male orangutans are significantly larger than females, with an average height of about 1.2-1.5 meters (4-5 feet) and weighing around 50-100 kg (110-220 lbs). They develop distinctive physical features such as large cheek flanges (fleshy pads) and a throat pouch, which they use to produce long calls to communicate across the dense forests.
2. **Solitary Lifestyle**: Unlike many primates, male orangutans are solitary creatures. They spend most of their lives alone, except during brief periods of mating. This solitary behaviour reduces competition for food and other resources. The males will range widely and have large territories that often overlap with the ranges of several females.
3. **Long Call**: Adult male orangutans have a unique and powerful long call that can be heard over great distances. This call is used to establish territory and attract females. The call consists of a series of roars, grunts, and bellows, and it serves to warn other males of their presence, helping to maintain social hierarchy and reduce conflicts.
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
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In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.