Hello, my name is Sara Mena,
and I'm a doodle addict. Sweden

I'm a 2D artist and animator and I believe that sharing images, ideas and knowledge is what makes better artists. If you like my work, consider supporting me on Ko-fi: https://ko-fi.com/doodlio_studio

I specialize in animation, digital art, illustration, mixed media, photoshop.

You can also find me on:

Sara Mena's Faves

kid tiki

dreaming of hotdogs and tennis

Jacob

Amber Vanvranken

Little chibis of the 2 main Characters of my comic/manga EOS.

Amber Vanvranken

Sabina Hahn

Another image from series of literal illustrations of food names.

Jim Bradshaw

1/4

Grungy doodle of the day. I felt inspired to do something smudgy and decorative and colorful.

Charlie Haggard

Jamie

Matthew Konicki

1/2

ball point pen sketches

Indira IOFEYE

Mixed media work on paper. Intuitive cartography of a hybrid myth.

Indira IOFEYE

Mixed media on paper.

Sakshi Reddy

Dani Peirce

Watercolour sketch of my pet horse Steven.

LeBoucher

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory