2019

Obviously when I think of snow, I think of Jon Snow! From bastard to brother of the Night’s Watch and then Lord Commander; to King of the North; a Stark and a Targaryen. He’s the emo guy, always brooding and of course he would- he’s kinda like the tragic hero always conflicted with love, duty and loyalty.

Acrylic painting of a field of California poppies in Antelope Valley during the 2019 superbloom.

That time when King Robert visited Winterfell to see his old friend Ned Stark. The word ‘husky’ according to dictionary.com means ‘big and strong; burly’ which Robert Baratheon and Ned Stark are! And I couldn’t help but put a direwolf in there, which can sometimes be mistaken for a husky!

One of my favorite Inktober artworks so far.

Inktober Day 03 - Bait - That time when Bran Stark was ‘bait’ for the Night King!

That time when Tyrion and Bronn walked away from the Eyrie after winning a trial by combat. I like to think of them as a couple of misfits traveling the mountain roads passing by the knights of the Vale, Vale commoners and hill tribesmen! *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D

That time when Sansa built a small replica of Winterfell in the snow...before Robin ruined it!

My first attempt at Inktober.

Wildlings? That time when Ygritte, Tormund, Jon Snow and other wildlings were on the other side of the Wall after their arduous climb!

Inktober 2019, day 1: Ring. also, a test for my future webcomic. A bit too time consuming, thought pretty.

That time when I ran out of ideas for this prompt word ‘pattern’ GoT-related and came up with what you see here! Maybe I will turn these animals plus dragon into a repeat pattern one day!

That time when Tyrion, Hand of the King, had to lead the troops at King’s Landing to fight against Stannis’ forces! Since King Joffrey was too cowardly! So he picked up his axe and the troops around him yelled, ‘Half-Man! Half-Man!’

Mermay sketch from a while back.

Super Kate Print by Barrie J Davies 2019 - unframed Silkscreen print on paper (hand finished) edition of 1/1 - A3 size 29cm x 42cm.

Various life drawings from 2019

More inktober 2019. From the top: Day 11 (Snow - a tribute to Victoria Crowe), Day 23 (Ancient), Day 13 (Ash - smoke drawn with real ash), Day 12 (Dragon) and Day 6 (Husky)

Mixed media (pencil, markers, brush pens, collage) on A3. This is based on some old doodles from around 2003 (I think). I glued the old thing on a bigger paper and completed it this Christmas/New Year 2019.

Got ready for the 2019 Baseball Season. Created the doodle in procreate.

Here’s a collection of five things I drew as a part of the Inktober 2019 challenge. From top to bottom: Day 27 (Coat), Day 4 (Freeze), Day 15 (Leg end), Day 22 (Ghost), Day 28 (Ride)

I decided to redo a project from my time in college.

Be Hold the Lamb of God Medium: Acrylic on canvas size:11”x12” Date 2019-2020 Artist: Stephen J. Vattimo This illustration is done for a mural portraying the earthly ministry of Jesus the Christ. This is number 8, out of 9 illustraitions. This illustration portrays Jesus after he dies on the cross. Biblical reference : Mark 15 : 33-39 33 At noon, darkness came over the whole land until three in the afternoon. 34 And at three in the afternoon Jesus cried out in a loud voice, “Eloi, Eloi, lema sabachthani?” (which means “My God, my God, why have you forsaken me?”).[b] 35 When some of those standing near heard this, they said, “Listen, he’s calling Elijah.” 36 Someone ran, filled a sponge with wine vinegar, put it on a staff, and offered it to Jesus to drink. “Now leave him alone. Let’s see if Elijah comes to take him down,” he said. 37 With a loud cry, Jesus breathed his last. 38 The curtain of the temple was torn in two from top to bottom. 39 And when the centurion, who stood there in front of Jesus, saw how he died,[c] he said, “Surely this man was the Son of God!” In doing my research : I found out that the crown of thorns might have been a cap, than a wreath. I t is my opinion that Mel Gibson’s portrayal of the brutality the Roman soldier inflicted on the body of Jesus, through the beatings and the 39 lashes with the cat of nine tails. This event was never visually captured in arts, until he made his movie The Passion of the Christ. Many don’t know what a cat of nine tales is, Roman style. A cat of nine tails are nine leather strap that are woven together at the handle. Each strap is laced with bone and other sharp objects. With each lash, flesh would be ripped from the victim’s body. Most of the illustration I have seen of the crucifixion of Jesus where quite sterile. They fail to illustrate the brutality. Their image of Jesus looks more like an under wear modal doing a photo shoot fore GQ magazine, Then the savor having the wrath of God being pored on his body for the payment of our sins. In this painting, I am place my viewer in the soldiers shoes, who just witnessed Jesus committing His spirit into God’s hands. Just as the soldier pondered the event he participated in , and looking into the face of Jesus, he proclaims, this man was truly the Son of God. Written by Stephen J. Vattimo 7/20/2020

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

this is a drawing my baby sister as you see her name is isabella she was born right before covid 19 came (2019) so yeah but she was out on febuary so not that long

Monochromatic Mermaid for Mermay 2019

Happy New Year

Réalisation d'une affiche/programme A3 pour la saison 2018/2019 des Spectaculaires de L'Excelsior. des spectacles de théâtre, d’objets, marionnettes, cirque présentés en séances Tout Public à la Salle Jean Carmet à Allonnes près du Mans. http://lexcelsior.fr/category/les-spectaculaires/

( Image PUBLISHED October 4, 2019 ) | Image is copyright of : Fraancó Roochó. Mailing address : Buenos Aires, Argentina Phone number : +030.237.8723 Email deals with copyright issues : aguante.elconsejo@hotmail.com DO NOT COPY Image © 2019 Fraancó Roochó. All rights reserved. No part of this book may be reproduced in any form on by an electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.