also

A week on from Artemis II coming back to Earth from the moon and only now do I do a proper lunar themed tribute to it all! It also gave me an excuse to buy another Palm Pals plush, so happy days to that :-)

She's also a daredevil

My muse today loved her portrait! Also, happy World Art Day fellow doodlers :-)

Another one for my friend. Not only does she own a pizza shop. She is also a huge Grateful Dead fan. I couldn't help but have her dancing with one of the bears

I used soft charcoal and a large sheet of newprint to depict this model in a life drawing class. He exuded a deep sadness and his poses seemed natural to his countenance. He was also very thin. “The bright side of the planet moves toward darkness And the cities are falling asleep, each in its hour, And for me, now as then, it is too much. There is too much world.” ― Czesław Miłosz, The Separate Notebooks

Thoughts of my cousin’s memorial weekend, among other things, informed this piece… also, ‘lystenning’ is a beautiful word, eh?

Autumnal narwhals! Also, Kirby’s made a pal…

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. *including the whole spread, as sometimes I like the "waste" page most.

New art supplies = the best excuse to get creative! Also, narwhals.

Page one of my first ever comic! And my first ever horse. It's called "I am a horse." A little explanation: in my native language, there's a separate word for gray hair. So I was playing with words a little here, hinting at his morality and also his hair color (she said he is "grey" rather than "gray-haired"). This is directly related to my fanfic "One last time."

Darth Maul, the Sisyphus of Star Wars. He's also one of my favorite all time Sith. What do you guys think?

Just trying to learn her. Also first time drawing a kiss.

Also on my tumblr

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

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Done in black and white for pokemon black and white. Also on other places too

For day 16 of Junefairytale, today is a hero's turn. For this day, I decided to draw one of the Super Moshi characters, but not just a simple hero, but Hermitty Ginger (by the way, I also tried to draw what Katsuma's modern design would look like with the Super Moshi outfit), our companion in mission 6 of season 1, but I didn't want to draw him alone, so I also included him with Penny

While working at the GCPD, they haven't really communicated. Or rather, they haven't communicated at all - Edward was courting Kristen Kringle, and if they crossed paths, it was limited to simple "hi-bye." But Amber was starting her "career" as an informant and tried to pay attention to her colleagues, especially if they stood out in some way. And Edward stood out. Not only with his brilliant mind, but also with his good manners, determination, and gentlemanly treatment of women. Therefore, Amber had him in good standing - which, in the context of her character, is a great compliment. But she did not seek friendship or any connection with him, being too busy with her ambitions. But they really got to know each other many years later, when he became the Riddler, and she became the Stalker. She, as always in all her versions, became obsessed with a new, interesting person, like a fan of a character, and wanted to become closer to them. This time, that person was him. She even felt strangely shy about going and confessing her interest to her former colleague. But nevertheless, everything was as usual - Amber, who rarely feels strong emotions, always tries not to miss the opportunity to satisfy her loneliness and sparked passion for someone with this strange agreement: she offers free information to her obsessions in exchange for their company and their personal information (like what subject they liked in school, how they prefer to court their love interest, nothing that could compromise them (She can find it on her own). She also does not enter into sexual relations with them, even if they are not against it). Having lived in the illusion of being showered with their attention, she eventually gets tired of them and silently moves on, ghosting them unless they do something that returns her interest (after all, having free info is worth "forgiving" her for moving on on them). This time, everything was the same. But the Riddler would not be the Riddler if he left her strange puzzle unsolved. Not that previous obsessions all let her go without questions, but they were not the Riddler. And everything became complicated...

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Here's another drawing prompt from this year. For each of these days in July, I decided to do it with a sea and ocean theme (also certainly inspired by the famous Mer-may). Anyway, for the first day, it's all about fish. To open this, I drew the Smith family's goldfish, who is actually a man whose brain has been implanted in the body of a fish named Klaus Heissler.

today is the birthday of Sebastián García, who voiced Oz Vessalius in Pandora Hearts, Hikaru Hizashi in Beyblade Burst: Surge, Liam Williams in Koala Man, Greg Heffley in the Diary of a Wimpy Kid animated franchise, and Victor in My Dog Pat in Gaby's Dollhouse. He was the first voice of Pandy Paws. It's also the birthday of Jessica Ángeles, who voiced Teddy Duncan in Good Luck Charlie!, Shoko Komi in Komi-san Can't Communicate, and Panzy in Dragon Ball. Daima in Unikitty, she was the voice of Feebee (as a fun fact, Jessica Ángeles only voiced Unikitty in The Lego Movie, its sequel, and in the LEGO Dimensions game). I wish you both a great birthday

a planet has continents that are concepts. there are arrows indicating "immigration" and "emigration" between the continents. the continents are concepts.... there is movement between "they/them" , "she/her", and "he/him". there is also movement between "black", "Hispanic", and "white". there is also movement between "Spain", "Mexico", and "Brazil". gender is a concept. race is a concept. nationality is a concept.

Here I bring you another new drawing challenge, instead of an inktober I will do this challenge based on horror and trauma (this challenge is also inspired by the famous goretober) for anyone who dares to draw for thirty-one days in the month of October.

This is just a little thing I colored, the lineart is NOT mine. I asked my friend what colors I should do for certain things and I think it came together pretty well. The shading is also done by me. I forgot to watermark this one ^^'

Self-portrait - Taste - mixmedia on sketchbook - I would like not to let myself be afflicted by the influences of the past, even when they return forcefully, by the panic they create in me, by the pain that still manages to seduce me in such an attractive way. I would like to fight for myself because every time I have done it I have never regretted it, not even when I failed. But I would also like to give myself the rest to sit back and not have to overdo it: to sit and savor what is there, and also savor nothing if necessary.