Inspired by a turn of phrase my girlfriend used to describe certain ex-friends of ours who got lost to conspiracy theories and generally problematic attitudes. Needless to say they’re haunted by all kinds of ghosts, wherever these people are!
Against the weight of a storm-dark sky, tender stems lean forward—some bending, some breaking, some still reaching.
They hold their fire at the tips, waiting to bloom, waiting to burn, waiting to belong to light.
Perhaps this is all of us:
stretching through shadows,
searching for the thin, golden line that divides earth from eternity.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
This week’s been an interesting one for socialising in my world, no denying it. If I’m not getting acquainted with new folks at work or at my art clubs, it’s reconnecting with people I haven’t seen in 20+ years… certainly informed today’s piece, without a doubt!
