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ape

Richard Koehler Richard Koehler
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Escape from Mount Mellowfire

The 'mallows are trying to escape the volcano's explosion of fire and lava. 11 x 14 acrylic on canvas board.

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Jana Cechova Jana Cechova
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Ara parrot

Soft pastel on a paper - Ara parrot

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Karen Lin Karen Lin
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Insomnia

White colored pencil on black paper.

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Jana Cechova Jana Cechova
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Eclecteus

Soft pastel on a paper - Eclecteus

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Sumi Sumi
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3d denial presented to you in 2d

I drank some wine and ate some Chinese food and listened to some music and finally threw up in ink on this paper for your indifferent judgement.

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Jana Cechova Jana Cechova
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Green parrot

Soft pastel on a paper (A3) - Green parrot

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Federico E. Rodriguez Federico E. Rodriguez
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3am

w/c on paper

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Zelda Zelda
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Cheers!

Just a random doodle I did for practice.

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Karen Lin Karen Lin
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Still Life

Graphite on paper.

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Martin Balsam Martin Balsam
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image may contain: drawing

graphite on paper Connect with Nobody Support Art: https://www.instagram.com/martin_balsam https://twitter.com/martin_balsam https://www.needmoney4artsupplies.myportfolio.com

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John Ramirez John Ramirez
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Midnight snack

In this piece I tried to show how some people will drain the confidence and personality of other people and they are just overflowing with power and negativity. This is a picture of my art teacher and a prop that I used to get my imagination in paper.. Medium: Charcoal, Prismacolor

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Jim Romer Jim Romer
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Crow Reaper

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Valériane Duvivier Valériane Duvivier
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The leaves Crown

It's been a while since I draw on kraft paper. So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on? Answer: They tie branches to theirs horns. ... I should be the one shielding myself from the sun just so it can't kill anymore neurones. --- Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft. Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau? Réponse: Ils s’attachent des branches dans les cornes. … Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.

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Monica Engeler Monica Engeler
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City doodle scape

Did a doodle sketch. Didn’t really know where this idea was going when I started it then it grew into a kind of cityscape sunset in the end. I was trying to sort of do a bridge around the buildings in an abstract unidimensional way. Well thought it was creative and different in the end.

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Anna Deligianni Anna Deligianni
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A Tale of Two Cities A&B
1/2

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Jana Cechova Jana Cechova
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Aix galericulata

Soft pastel on a paper (A3) - Aix galericulata

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Ginny Griffin Ginny Griffin
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Summer Pinwheel

Playing with summer colors.... micron, watercolor marker and pencils, 6”x6”

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Amélya Bernard Amélya Bernard
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Blue Grapes

Still life made for school. Done in acrylics

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Amélya Bernard Amélya Bernard
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Swimming bay - Parc des chutes St-Agathe

a painting I made last year of the swimming area of the superb St-Agathe park

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Jana Cechova Jana Cechova
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Eagle II

White pencil in combination with white marker on a black paper (A3) - Eagle II

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Jana Cechova Jana Cechova
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Deer

White pencil on a paper (A3) - a deer

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Indira IOFEYE Indira IOFEYE
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Avian dreams - bird powers
1/2

Mixed media artworks. Created in conjunction with each other, on a single piece of paper. As the colors of marker or watercolor bled through, so I worked with the motifs on both sides. It is no secret that i absolutely love birds and they feature so heavily in my drawing/illustrative work.

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Valeria Loyola Valeria Loyola
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Old San Juan (Viejo San Juan)

This is one of the pages of my handmade picture book (made w/ watercolor paper, watercolor paint, color pencils, and pen & ink). I really wanted to focus on illustrating the beauty of the architecture and vibrant colors of the buildings.

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monai monai
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demon.ai#12

abstract pen drawing

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Jana Cechova Jana Cechova
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Aratinga

Soft pastel on a paper (A3) - Aratinga

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Jana Cechova Jana Cechova
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Parrots

Soft pastel on a paper (A3) - parrots

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Jana Cechova Jana Cechova
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Parrot (Psittacula alexandri)

Soft pastel on a paper - Psittacula alexandri

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Jana Cechova Jana Cechova
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Parrot

Soft pastel on a paper (A3) - parrot

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Caitlin Rodriguez Caitlin Rodriguez
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Create

Cutouts from magazines + patterned papers

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