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Tamsin Jones Tamsin Jones
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Jean - glowing dragon

Jean is my clan leader on the dragon petsim Flight Rising, in-game she is a nature elemental female pearlcatcher. Her in-game profile is here https://www1.flightrising.com/dragon/4025429 Lore outline: Originally born in the nature elemental lands she found herself enchanted by the stars above the canopy, and journeyed to the light territories in search of knowledge. But these dragons had little in the way of passion besides snobbery and a burning desire for truth. In her love of the night sky and shunning of the sun she did not fit here, and was bullied for it. One particularly bad episode altered the golden runes that her scales bore, covered her with patches of glowing gold - a permanent mark of the burning sun. But she did not only come to harm in the light flight, for it was here that she came across a clan of misfits just like her, formed by a guardian dragon who wanted to protect all those who were different. And then she, along with the clan, moved to the territory of the arcane flight - the home of curiosity, and those that loved the stars. They have been there ever since. Art method: I started with graphite and ink on white A4 paper, scanned it into the computer and set to multiply then used photoshop to add colour and further shading + a simple gradient for a background on the layers beneath.

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Spearmint Chalk Spearmint Chalk
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Gender Conceptualization

I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer. In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle. Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy. Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense. I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective. Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days. Cheers, fam~

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Spearmint Chalk Spearmint Chalk
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The Fall of the Tower of Babble

I take a lot of Genesis as an allegory for birth and maturation, both individually and collectively. The Garden of Eden could easily be interpreted as the womb, and we are all cast out of it at some point. Genesis 2:24 says "This is why a man leaves his father and mother and bonds with his wife, and they become one flesh." Though people use this passage to refer to the tradition of marriage, I think that it speaks to something much, much deeper than that. Literally, when two people copulate, they create a child that is of one flesh. They do not "become one flesh" because they engage in a ritual institution and are now "to be viewed as comprising a single identity," but they literally become one flesh because their genetic compositions are joined into a new being (Mark 10:8 and the two shall become one flesh.’ So they are no longer two but one flesh. 9 What therefore God has joined together, let no man separate.”). That being said, I read somewhere once that babies born in every part of the world make phonetic sounds from pretty much every language in the world. It is only after a period of time that they start to key in on certain sounds that the people around them are making, and it is only after that that children key in enough to start developing more advanced language skills (typically). However, in this original state, there is a freedom. There are no assumptions. There is an innocence in that state. There is a lack of judgement. There comes a point at which babies/young children begin to mimic and to incorporate what they are experiencing from the creatures around them into themselves. To small creatures with an undeveloped sense of self or reality, the caregivers around them may as well be gods, at least from their perspective. They will learn from these gods around them and will begin to embody their cultural beliefs, their language, their idiosyncrasies, and their perceptions, often on a deeply unconscious level. Adults contribute to that quite thoroughly and somewhat consciously. (Genesis 1:26 Then God said, “Let Us make mankind in Our image, according to Our likeness..") (Genesis 11:7 7 Go to, let us go down, and there confound their language, that they may not understand one another's speech.) In our own way as individuals, we are each a Tower of Babel, and at some point, for each of us, that Tower fell. Barriers to communication of so many kinds were created for and/or by us. Perhaps we still spend time constructing new barriers and thinking up new ways to distance ourselves from the rest of our kind. I chose to use the phrase "materialism" to express how children engender these attributes of caregivers and others alike. However, this can easily be exchanged for a phrase like "socialism," or "corporate capitalism," or nearly any other thing that you can probably think of. Children are like sponges. They soak up even more than we realize. Most widespread religions in the world have some form of renunciation belief or ritual wherein an individual must 'cast off' the old self and put on the new. This is because, regardless of where or when a child is born in the world, the perspectives of the people around them raising them will likely leave much to be desired. It is necessary for beings to continue to learn, and this often entails a serious consideration of what was instilled into them at an earlier time. It is quintessential that we question and evaluate these things since the state of the world will have changed by the time that we reach maturation. The ideas that people gave us may apply to a world that is already different. The story of the Tower of Babel may refer to a state that earlier humans lived in, perhaps on a shared continent, in which the manners in which they communicated were similar. Then, at some point, perhaps these same peoples went off on their travels and developed new languages. In a funny way, we seem to do that as individuals. At some point, we strike out on our own, even if only a little. Though we may differ on surface level behaviors and in the symbols that we use to describe the human experience, human beings are more or less fundamentally the same. We let our differences create so, so, so many barriers between ourselves and other beings. Just think of all of the harm that things like xenophobia, racism, intolerance, and a lack of an ability to communicate verbally with one another have done to our species. Even beyond that, just think of how easily we dismiss the inner lives and inner experiences of creatures different than ourselves simply because they do not communicate verbally with us in our preferred tongue. Research is overwhelmingly in support of other beings communicating with others of their kind, whether we as individuals acknowledge it or not.. Some of us are just really into denial about it. We could achieve remarkably wonderful things, if only we would learn to recognize the similarities of our experiences. (Matthew 19:6 So they are no longer two, but one flesh. Therefore what God has joined together, let no one separate.”)

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Robert Falagrady Robert Falagrady
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Head search

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Elias Rosenshaw Elias Rosenshaw
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Im Being Silly

Elias Rosenshaw 10/5/2023 Filtered digital collage of archival ink pen & gel pen on paper, gears (one with acrylic paint), manipulated photography, and digital colours & patterns.

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Daniel Gräfen Daniel Gräfen
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House from small gallic village 2

Architecture of the Day

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Evan Evan
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Research Station

15 AUG 2023

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Roger Warn Roger Warn
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Ostrich.  Egg tempera on panel. 23cm x 30cm

This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.

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Federico E. Rodriguez Federico E. Rodriguez
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pedestrian

graphite on architectural vellum

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Joer_B Joer_B
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Amy Arms Up II
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Have nothing new to post, so a repost. 2021, Ballpoint Pen on 9” x 12” Archival paper. Model: Amy_D

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Isadora Griffin Isadora Griffin
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First walk at the wharf in Bergen

This looks simple, but i spent days researching to get the buildings and clothing right. There was also a lot more layers than i planned for. This buildings are still in use, there are different shops in them now. Sadly they no longer have those colorful decorations,

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Piotr Piwko Piotr Piwko
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The great march

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Joer_B Joer_B
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The Legacy
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The new king inherits the unspoken and messy legacy of slavery and colonization. 2023, 19" x 13" Ballpoint pen on Archival Paper. Source: Prince Charles portrait by Hugo Burnand.

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Jufi Jufi
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My space 014

my imagination My imagination in search of the source

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Stephen Stephen
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Foundation of America

This pen-and-ink illustration was done for the cover of a church statement of faith. I named this illustration Foundation of America because I believe this country was founded by Christians who had strong faith in the God of the Bible, and through faith, prayer, and sacrifice, the patriots overcame the mighty British military. By the hand of God, a new nation was born: the United States of America. When the United States was filled with God-fearing people, God raised the country to be a super power, and the world envied the United States and flocked to her shores, the land of freedom and opportunity. Now this country has forgotten the God who gave birth to her and now is setting up new idols to worship: idols of wood, stone, metals that do not hear or see or care. Because the United States has forgotten God, it has been plagued with storms, tornadoes, floods, droughts and her enemies are waging war with her, waiting to celebrate her fall. It is my hope and prayer that people who love this country will return to honoring God and return to giving Him thanks for all the great works He has done for this nation and turn from our sins and follow God by obeying His Word: the Holy Bible. That God will remove His hand of judgment and His blessing may return to our country. This church was fist built in 1890 and is still being used as a church. It is in Norristown, Pennsylvania. This was the first Bible-believing church I attended when I became a Christian. (October 28, 2017)

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Art Craft Land Art Craft Land
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Buttons demonstration

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Lizzy P Lizzy P
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Sunnnny March

Beginning of spring. Whimsical rainbows and floral life

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Art Craft Land Art Craft Land
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Paperclips mountain by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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Art Craft Land Art Craft Land
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Home by Jaffa Meir

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

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MaryAnn Loo MaryAnn Loo
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Search-and-Find Illustration in progress (12h45m so far)

Something I’ve been working on for fun, a project from illustrator Victor Beuren’s Domestika class “Search-And-Find Illustration in Procreate”. One of the rare Singapore-inspired artworks I’ve done, and I don’t think I’ve ever drawn so many human beings in one piece… but challenge accepted!!!

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Izabela Izabela
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Star branch. Whimsical illustration - Day 13.

I got inspiration from my first gouache painting. After a few minutes of research on Pinterest, I got the Eureka Moment! "Hmm... Maybe I should draw the twisted tree from my painting, which will be full of stars on its branch?" And here it is - the final look. I like it!

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Antonela Gioscio Antonela Gioscio
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Child of the Forest

This is the second painting of my dragon series, and it was actually the moment at which I decided to make it a series. It was at the beginning of this year when I was trying to decide on a topic for a series to exhibit. I had gone through quite a few subject matters and even started researching on one of them, when I got really mad at a relative's attitude and just felt the need to paint a dragon. And with a second finished dragon piece in hand, I said: "This is it. I'm gonna make a series on dragons."

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MaryAnn Loo MaryAnn Loo
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Close-up of a new illustration -- Following the Sun (2023)

“Following the sun, to find the one / Who's giving you the wings to fly… / Following the sun, like everyone / Searching for a sign of hope…” — Song lyrics by Enigma. Watercolor, ink and colour pencil on watercolour paper

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Daniel Gräfen Daniel Gräfen
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Ludus Magnus

Architecture of the Day

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Daniel Gräfen Daniel Gräfen
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Rapunzel, Rapunzel, let downwards thy hair!

Architecture of the Day

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Daniel Gräfen Daniel Gräfen
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Some Castle

Architecture of the Day

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Daniel Gräfen Daniel Gräfen
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Some Palace

Architecture of the Day

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Marai Marai
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March of the Me Mes

Art from the depths of my sketchbook.

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Izabela Izabela
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Landscape inspired by Loish

Lois's last book: "The style of Loish. Finding an artistic voice." is just AMAZING! It's: - inspiring, - full of tips on how to start searching own style, - full of Lois's thoughts and experiences on her way to finding the artistic voice. So I wanted to try something new in my digital art journey. I experimented with new techniques. I tried to use a brush type that gives a transparency effect. I chose one picture from Loish's book as a reference. And here it is - a colorful landscape. Thank you, Lois, for creating and sharing your phenomenal and inspiring art!

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Valeria Valeria
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Princess Sweetnette (candy oc)
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Introducing Princess Sweetnette,an OC I created a while ago last year, heavily inspired by Lady Lovely Locks and Strawberry Shortcake.She's a cotton candy princess who goes to adventures along with her sidekick Prince Cotton Fluffe,her mother is Queen Yelinda ,a green cotton candy queen.her arch nemesis is Princess Sourglum,she is evil and spiteful wanting to take over her kingdom and land alongside is his cunning,sneaky father who often aides her when she needs to.her kingdom is heavily inspired by Candy land as well.she has a talking magical wand named Harty who is always eager to help and always protects 15-Sweetnette from any evil.

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